boattr.eu @AIS conference

Adnan presented boattr.eu – Awareness raising regarding the Central Mediterranean Migration crisis during the AIS conference.

In 2019, the  theme of the Association of Interdisciplinary Studies (AIS) annual conference will be Interdisciplinarity in Global Contexts. Since a defining feature of interdisciplinarity and transdisciplinarity is not to abstract or isolate problems but rather to approach them in their real-world contexts, this conference theme asks participants to consider the global and local contexts of interdisciplinary education and research. Obviously, contexts differ in scale and can be defined at microscopic or macroscopic levels: chemical properties are influenced by molecular configurations, for example, organic functions by bodily states, individuals by their societal environments, public health by geographical and climatic conditions, and cities by their world-wide connections. Adding to this complexity are various dynamic interactions across these dimensions, further making an interdisciplinary perspective necessary.

This paper presents the envisaged interdisciplinary boattr.eu research project. boattr.eu is planned as a European research project currently initiated by the Migration Research Cluster of the University of Malta. ‘boattr.eu’ (b.eu) stands for boat migrants, forced migrants, and the aims of the boattr.eu project is to stimulate discussion and offer counter-narratives surrounding the current forced migration situation in Europe, through the use of novel immersive experience (IX) technologies which provide a complete sensory experience for participants. To achieve this aim, four case studies on particular events that have triggered different reactions to the migration crisis in the dominant public discourse of four European countries, namely Malta (Solidarity), Italy (Containment), Greece (Criminalisation), and Spain (Militarisation), are planned to be used as a basis for developing the relevant sensory experiences.

As long as there is no option of safe passage to Europe, people will continue risking their lives, forced to take what is now the host of some of the the world’s most dangerous migration routes, the Mediterranean Sea. [Fargues Philippe, “Four Decades of Cross-Mediterranean Undocumented Migration to Europe” (International Organization for Migration, 2017)] Setting off in flimsy rubber boats, many soon find themselves heading for rocks or sand banks that can readily capsize or sink a dinghy. Others are abandoned by smugglers who drop them at beaches that are inaccessible via land. The majority of people are wearing fake life jackets, giving them a false sense of safety. [Hannah Al-Othman, “Tricked into death: 150,000 migrants’ life jackets – many of which are useless fakes- lie piled on the coast of Lesbos in a grim memorial to those who die crossing the Mediterranean” (The Daily Mail, 2017)]

The boattr.eu research project envisages using the expertise from the Immersive Lab project in order to allow researchers to create immersive experiences around the central Mediterranean migration crisis. Sound and image constantly surround us, their presence is ubiquitous therefore we are all part of an immersion, whether or not we are aware of it. Immersive experiences introduce audiences to digital journeys where they are transported through the content of, for example, a science project, an architecture simulation, a documentary, an art installation or a performance.

Goldsmiths College also hosts the Forensic Architecture agency and the Forensic Oceanography project, which recently published a report on the central Mediterranean migration crisis entitled Mare Clausum [Mare Clausum, a report by Forensic Oceanography (Charles Heller and Lorenzo Pezzani), affiliated to the Forensic Architecture agency, Goldsmiths, University of London, 2018] which offers the boattr.eu research project a conceptual awareness raising method for the unfolding migration crisis at the borders to Malta.

The mission of the University of Malta Cluster for Migration is to offer a dialogical space in which researchers from different academic disciplines can work towards understanding all the evolving aspects of international migration, including that of belonging across generations. The long-term goal is to thereby contribute to an equitable, more sustainable and more inclusive society that brings benefits to migrants and their families, communities of origin, destination and transit, as well as their sending and receiving countries. Today the migration crisis renders the Mediterranean an opaque space, removed from the public eye, where the key founding values of the European Union are put under strain, making the Migration Cluster initiative all the more necessary. The cluster can help to shed light and raise awareness among stakeholders, policy makers, and the general public about the unfolding crisis at the common maritime borders of the Member States.

EMM’s Annual General Meeting for 2019

During EMM‘s annual general meeting Adnan joined the board.

It’s been more than four years since Electronic Music Malta held its first ever meeting at Spazju Kreattiv. It was a meeting during which this, then new, organization set its primary goals and objectives with the aim of providing a different type of contribution to the electronic music community in Malta.

Following its successful application to become a recognized Voluntary Organisation, EMM established its first group of volunteers who, as a committee, charted its initial path and activities. According to EMM’s statute, this committee was renewed in 2017, and again, this saw us organize more events most of all our yearly conference, Circuits, which also formed part of the Valletta 2018 programme of activities. Circuits continued to be held year after year with 2019 being its fourth edition in a row!

What is Changing?

EMM’s work has received support from various private and public entities in Malta. Testimony to this is the EMM’s upcoming event which will see a world renowned theremin player coming to Malta to perform, thanks to support received from the Goethe Institute (through the German-Maltese Circle) and Heritage Malta who will be providing us with a magnificent venue! Also our forthcoming documentary will see its’ very film-maker participate in the event by holding a brief talk prior to the screening… and this thanks to the University of Malta. And there is more in store!

We have upcoming projects and collaborations with the University of South Africa (UNISA), the University of Malta, Black Box Pro, support from the Malta Arts Fund, the Malta International Arts Festival and, of course, Spazju Kreattiv!

EMM will no longer merely organize events but will commence training programmes, networking sessions, commission projects, exhibitions, performances and, yes, build its first synthesizer module!

Use from Below

Social media is not very social. It instigates a human inclination towards taking fast, often a priori positions, which enflames an already polarized society. The resurgence of ideologies does not come for free either, as we click and share more when we are steered to take certain angry stands. But there is no beaten track to turn anger into change in the society we live in today, where engagement beyond a local scale comes at the price of surveillance and data sharing . What we lack is a constructive, free platform to challenge the corporate sector’s media industry and address pressing political concerns.

Use from below is a double solo show of artists Ahmet Öğüt and Adelita Husni-Bey and originates from their commitment to make art a platform for socio-political engagement. Both their practices express the need for a structural change and question our life in a world where capitalism seems the only viable option. The title appropriates Professor Gayatri Chakravorty Spivak’s concept of “ab-use” theorized in the book An Aesthetic Education in the Era of Globalization (2012), in which she subverts the cliché that a colonized culture like India should break free from the legacy of the European Enlightenment. It should, instead, use it from a different perspective.

Professor Spivak also proposes to overcome inflated dichotomies such as modernity-tradition and colonial-postcolonial, applied to all institutional circumstances but yet are nothing more than an exercise in abstraction. This methodology resonates in Ahmet Öğüt and Adelita Husni-Bey’s deep engagement with reality. The phrase itself, Use from below, suggests a shift and a need for a shared sense of agency, because it sounds like an instruction and prompts action. In a context where systemic forces such as globalization, automation and climate change threaten our ability to find meaning or even carry on, while the algorithms of the attention economy swallow up our energies, Use from below encourages us to hold to our power, and take action.

EFAP Kick-Off meeting

EFAP, the European Forum for Advanced Practices, will be launched in a kick-off meeting in Madrid from October 10-13, 2019. The events will take place in CA2M Centro de Arte Dos de Mayo. The program on Thursday and Friday from 1800-2200 is open for the public. Participation in the working group sessions requires prior registration.

PROGRAM

THURSDAY, 10.10.2019

Public program
18:00: Welcome by Manuel Segade, Director of CA2M Centro de Arte Dos de Mayo
18:15: Presentation by Irit Rogoff.
18:45: Lecture by Maria Hlavajova
20:15: Conversation: Andrea Phillips & Jesús Carrillo
21:15: Conversation: Sybille Peters & Victoria Pérez Royo
22:00: El Drama de una realidad Sur Performing lecture by Javiera de la Fuente

FRIDAY 11.10.2019

12:00 – 18:00
Core group meeting

Conference/public program
18:00: Video Conversation with Brian Massumi by Florian Schneider
18.30: El texto como Notación (experimento de escritura). Lecture by Jon Mikel Euba
20:15: Conversation: Andrew Patrizio & Héctor Tejero
21:15: Conversation: Inés Moreira & Ethel Baraona 

SATURDAY, 12.10.2019

Working Group sessions

10:00 – 11:00: Welcome
11:00 – 12:00: General introduction into the WGs
12:00 – 18:00: WG parallel sessions

SUNDAY, 13.10.2019

Working Group sessions

11:00 – 14:00: WG parallel sessions
15:00 – 17:00: Debriefing (optional)