Layered stakes

The very recent death of friend and collaborator Armin Medosch has us all shocked. A stomach cancer diagnosis in December 2016 was all too late to avert such rapid and devastating effects.

We last met at a memorable post Hybrid Cities dinner in Athens, September 2015,  where he had talked on ‘Cities of the Sun’ and recalled early wireless network adventures in Hackney, celebrating the network commons process so many of us continue to work on. Perhaps there is a recording of the keynote he presented there..? I just found this interesting talk on the rise of Network Commons, one more of so many on a wide range of subjects!

Tributes from friends and colleagues around Europe are stacking up in Nettime.org each pinpointing personal reflections on his great character, warmth and passion for the social in digital, a critical eye on culture, network politics, his commitment and courage. Obituaries in Rizhome, Wired and Telepolis now also detailing a life’s work and lasting impact. Now also a book! wow so perhaps this account will continue to be amended for a while!

Memories flying thick and fast, thinking back over many years of his intensity and enthusiasm. We first met in autumn of 1995 when he arrived at Obsolete offices in Clink Street, fresh from a bruising experience aboard ms.Stubnitz. His passion then, fixed on non-linear video archives, but we were already too distracted by WWW to take it on. It wasn’t long before he was in regular contact, at Backspace, activating Cybersalon, co-ordinating Artservers Unlimited , always making Waves!

His constructive involvement in so many activities, with such critical sensibility, influenced and inspired us all. During so much of this period we were all effected by the ‘rush’, spinning ahead of the times. We ranted about DIY networking ideas that fused as Consume, morphed with Berlon into a mesh awakening that grew internationally.

Armin wrote for Mute, Telepolis, Acoustic Space and formulated the MA in Digital Theory at Ravensbourne College. He launched into work on The Next layer blog whilst compiling of his New Tendencies Phd at Goldsmiths and delivered talks at many public events across Europe. With the publishing of most recent book New Tendencies, he was again traveling to promote ideas and expand minds with flair and passion. Now as ever he has rushed on to cross the gap ahead of us all, to who knows where!

See you on the other side mate. Thanks for everything.

Hoy Meet-ups

This coming Monday 23rd January we will again meet up with Creeknet friends to continue some great conversations and push on with DIY network research. Our host for the last few Mazi Mondays has been the Hoy Kitchen on Creek Road at the Deptford and Greenwich border by Creek Bridge. We have been starting with teas/lunch at noon and drifting on in discussion till 4pm.

Claire is the proprietor of Hoy and grew up in the Hoy Inn as it was previously known. Her family moved into the area from Belfast in the 70’s at a time when SE8 was comparatively naked, few street lights, road signs and empty buildings in a very industrial maritime landscape. The pub was a notorious social hub and she has many stories about these earlier times to tell!  Her great familiarity with local history, society and current wave of transformation is proving most entertaining and illuminating.

When Quayside redevelopment took off in the streets all around them  during the 90’s her family faced fresh and unexpected challenges. Land which had always been linked to the Hoy was assumed part of the property development package. It triggered a fight to hold on to access and the infamous Hoy Steps. Successful but lengthy resistance has meant that the steps have been retained but a road wraps around the building to the new build properties adjacent.

Perhaps as a consequence, Claire has good contacts with local business including Millenium Quay who have responsibility for the recently installed swing bridge. She has also suggested making historical steps accessible for the first time since the dispute!

The illustrious privateer Sir Francis Drake may well have been knighted by Queen Elisabeth by the Hoy Steps, his ship ‘The Golden Hind’ certainly ended it’s days in the creek, scrapped to shore up the sea wall of the creek. Today the replica boat is a popular tourist destination in Clink Street by London Bridge very close to our very own Backspace which prevailed till turn of the last century!

Please join us in February when we will meet-up at Stephen Lawrence Centre for a further three weeks of more practical workshops At these events we will work with low-cost technologies to host and promote a range of DIY neighbourhood publishing tools, discover more about the options for OWN mesh access meet its resident groups and friends from that area of the river by Brookmill Park.

Cast in this light and with rising sense of expectation from those around us,  we set out on the second phase of neighbourhood engagement and activity around our Mazi pilot – Creeknet. It explores use of DIY networking methods and promotion of ‘offline‘ information systems, that express awareness, sustainability and determination for greater data autonomy.

To date, we have met with a wide range of local people living and working alongside Deptford Creek, each with a view on local issues and an intensity to shape outcomes in whatever form of public campaign or personal agenda they may fix on. Help us identify the tools for success in such situations and to foster the development of home grown options to introduce into the MAZI toolkit.

We begin a series of weekly meetings and workshops at venues up and down the creek this month, to channel some energies into discovery, discussion and expression on subjects closest to heart. The quality of lived environment tops that chart, as any local resident, worker or student will assert. Unbridled property speculation, deteriorating air quality and wealth disparity, contribute to the sense of dis-empowerment, isolation and anxiety for the future.

Much we have learned, as the storm of chaos around us builds, reminds us that we can never again take personal freedoms and privacy for granted. As of 30th December, the Investigatory Powers Act permits targeted interception of communications, bulk collection and interception of communications data by UK government and intelligence agencies.

Educating and informing ourselves on conditions of change are now critical steps for us to take for future health of communities, cultures and capital. Our faith in each other, open collaboration and social justice are at stake. Your insight, inventiveness and expertise are key to unlocking neighbourhood value and identifying solutions to act on locally.

During February, we are hosting Creeknet meet-ups at Stephen Lawrence Centre where friends of Brookmill Park and Deptford Creek will gather to share stories and publish reports.

As part of the MAZI pilot we are all working together to install interactive beacons along the creek where significant points of interest and DIY network activity coincide.

We have booked three weekly meetings in this riverside lecture room, starting Monday 13th Feb so please join us there between 12 and 4pm. Please register so we know how may to expect at lunch!

Our emphasis is to support the many local groups along the creek as they promote their respective activities and publish to their networks. In preparation, we have been resetting some of their legacy, corrupted and entangled WordPress installations, so a clean start is possible!

Friends of Brookmill Park are now ready to bring their designs into effect to feature the nature and diversity of the park, planting plan and to begin animal species monitoring.

Terry Edwards is a local musician and model gardener who leads the Crossfields Estate community garden project Wonky Prong and has begun posting and planting again in time for spring. He may well join Karen Barnes on Wednesday’s open mic event at the Birdsnest.

She has been very busy scanning some of the many pinhole camera prints she has made in situ around Deptford as well as on occasional trips to Westminster. They feature at thearmed909 alongside accounts of living and working in the area.  The Undercurrents gallery in the back room of the Birdsnest has been showing Minesweeper art and photographs of the boat that survived the devastating fire in January. Karen recently added a Piratebox to collect up some memorabilia and share donated audio recordings and artwork. Next time you pop in for a pint, try logging on to check the collection.

Friends of Deptford Creek, started by those living on house boats in the creek also have a refreshed website to voice their current concerns not least in light of redevelopment plans effecting their mooring and land access at 2 Creekside. John Cierach is also the owner of 3 Creekside where we recently reviewed the plans for development to feature stacked shipping containers and reworked mooring strategy that won’t include all the current boats!

A Kumu map of working relationships between interested parties along Deptford Creek is emerging form the mud of our interaction. Further interventions and activity will continue to extend these impressions, your comments and contributions are most welcome.

What are the shitboats you may well ask

Sweeping for power

Since first writing this report the Minesweeper has been destroyed by a terrible fire on 5th Jan 11pm. Despite quick response from the London Fire Service and attendance of a dozen fire engines, it was all over by 5am – toast. Adjacent boats were also effected as was the mechanics workshop in the Brookmash estate. YT visited on Friday and stood on the river wall there with some Minesweeper Collective members looking over the side into the abyss of charred timbers and blackened soup of belongings, chairs, books, some vinyl records and somewhat strangely, bags of charcoal untouched by the fire.

For those living and working aboard the Minesweeper, keeping warm during winter months presents the greatest hardship. Wood burners are kept alight 24/7 that require continual feeding. A store of suitable timber has to be collected throughout autumn and kept dry for use. Neighbours in in Brookmash yard supply the off-cuts from their furniture production. (as well as supply power the broadband wireless uplink)

The collective recently purchased a new AC generator after many months fundraising and having experienced breakdown of previous secondhand units, however bad luck has again struck, an oil leak forces it’s return for repair, leaving them without power again. A new wind turbine is ready for installation, to provide the top up charge their battery array needs if it to remain in good condition to supply 12v for lighting and laptop charging. The print working areas of the minesweeper already have bright LED worklights fitted, with more needed throughout, as well as external motion triggered perimeter and safety lighting.

An energy audit was carried out on the boat late summer as part of the Creeknet pilot, which revealed just how much energy the print curing and screen cleaning processes demand, too much of a shortfall for any solar or wind turbine system to close. Gaining a better understanding about how off-grid power systems need to be configured and managed has been difficult, though progress is being made. We recently visited other boats on the creek and noted how their installed systems reliably store and distribute available power as needed, so will return for their support if the need arises.

Over a year ago, YT attended Transmediale media arts festival in Berlin to meet up with old friends living in the city and introduce them to members of the Mazi project attending for the first time. One of the first panels Global Ports still resonates as we edge forward with Creeknet pilot in Deptford. Much like in Port of Hamburg, the PLA (Port of London Authority) conforms a hydrachy of power, governing access to the waterways of the city, monitoring shipping and controlling all but the the weather and tides.

For those who are dependent on the Thames and it’s tributaries for transport,  trade and residence, there are very few resources available to guide use and track changing conditions.  It’s the knowledge of the boating community and their interpretation of PLA bylaws that hold sway here. Resistance, skulks the waters edge, using forgotten inlets, overgrown steps and derelict locks, to retain river access and uphold liberties. Mooring rights and tidal rituals, ebb and flow along the river wall, entangled in mooring chains, revealed as the river bed is drained by tides.

The Thames river wall all the way into Deptford Creek is part of the UK coastline, it’s beaches are monitored and rubbish cleared. Material on the shore clusters much where it was dropped into the water so great collections of red brick, clay pipes, animal bones, oyster shells and drift wood colour the shorelines in alignment to forgotten industry. Warehouses and wharves are fast being replaced by multi-story condos, only a very few remain out of the grasp of developers such as the abandoned squatted restaurant on Odessa Street up river in Rotherhithe, where recent Minesweeper fundraiser was such a success.

The burning of the Minsweeper and subsequent loss of mooring access at Brookmarsh Yard in Greenwich, point to an inevitability that will end occupation of these reaches by  the many barges and boats currently resident. Lengthy negotiations and legal actions by boaters to retain land access and not often ended well. Current proposals for redevelopment at 2 Creekside could well be followed by overturning of long established moorings at No4. Meanwhile, redevelopment of No3 and No1 form breaking wave of transformation that may well consume all undeveloped land and property up to Deptford Church Street.

after.video at the indefinite vision symposium @ whitechappel art gallery

after.video will be presented during the indefinite vision
symposium @ whitechappel art gallery, see:
http://www.whitechapelgallery.org/events/indefinite-visions/ (before the
symposium during a workshop on methodologies – see schedule below ->
after.video is in the 4-5.30pm slot)

WORKSHOP: THE AUDIOVISUAL ESSAY WHITECHAPEL GALLERY, LONDON

WEDNESDAY 22nd JUNE

11.30am-1pm. Forms
Themes:
Audiovisual essay forms (close analysis, artistic/poetic montage,
supercut/thematic montage, ‘interstitial’).
Techniques: temporal manipulation, overlays, split-screen, voice-over
Audiovisual essays as supplements to written scholarship and as core
methodology.
Questions:
What types of scholarship are audiovisual essays suited (and not suited) to?
What more could audiovisual essay achieve critically and aesthetically?
11.30-11.45. Presentation: Kevin B. Lee on the current state of the art
11.45-12. Presentation: TBC
12-12.30. Break-out discussions
12.30-1. Group discussion

1pm-2pm. Lunch

2pm-3.30pm. Contexts
Themes:
Role within film journalism, as a critical tool
Role within teaching, as a heuristic tool
Relationship with film-making (‘theory’ vs ‘practice’)
Relationship with artists’ film and video
Questions
How to further incorporate audiovisual essays into mainstream scholarship
via academic legitimation (e.g. increasing publishing opportunities)?
via refinement of the form and its methodologies?
via databasing?
How does the audiovisual essay fit within current copyright law in the
UK and beyond?
Do different distribution models (e.g. peer-reviewed, ‘self-published’,
programmed by cultural gatekeepers) suit different kinds of audiovisual
work?
2.30-2.45. Presentation: Catherine Grant on videographic film studies
and academic publishing
2.45-3. Presentation: David Rodowick on negotiating film theory and film
practice
3-3.30. Break-out discussions
3.30-4. Group discussion

3.30pm-4.00pm. Break

4.00pm-5.30pm. Methodologies
Themes
Terminology (video essay, audiovisual essay, videographic film studies,
digital film studies)
Alternative technologies and methodologies:
Quantitative:
data analysis (e.g. cinemetrics, ECGs and eye tracking)
visualisation – e.g. Volumetric Cinema, Software Studies Initiative
Qualitative:
Annotation (e.g. Popcorn.js, ANVIL, Lignes de Temps)
Creative:
Critical media art (e.g. after.video)
Interactive documentary
Questions
How can audiovisual essay production be connected to adjacent, less
prevalent, digital humanities activities?
What can be learnt from the use of digital technologies in other
humanities disciplines?
What models of collaboration could help audiovisual film scholarship
develop in scope, complexity, and impact?
4.30-4.45. Presentation: David Verdeure on adjacent methodologies
4.45-5. Presentation: Richard Misek on adjacent technologies
5-5.30. Break-out discussions (open)
5.30-6. Group discussion

Viewable during breaks:
Don’t Look Now: paradoxes of suture (interactive video on Mac laptop)
After.Video Assemblages (videos on Raspberry Pi)
Notes on Blindness: Into Darkness (VR experience, at Close Up Film Centre)

 

reTransmission

YT has recently rekindled contact with Indymedia activist network members as part of an initiative to build a new hosting platform, an Activist Media Proxy – AMP.

Little in the way of social documentary, street protest and public information material exists outside of the youtube/googleplex. Of the many attempts to change assumptions, Engagemedia and Undercurrents have lead the way.

Our hope is that in collaboration with activist media makers and producers, further good use can be made of this vibrant social history, to review past action and inform on current struggles.

The first move of the founding group has been to appoint a coordinator and gather together an information base, to establish communication and suitable support framework. With this foundation in place is has been possible to activate new services to begin working with the existing video collections, present tools for annotation and prepare selections for review.

Please visit the AMP project wiki for more information.

The video, audio and text archives will be stored in a web accessible database. Pan.do/ra offers the combination of media processing, context annotation and collaboration management tools needed. Several other media collections are being drawn together in London using this same great system.

Community archives are reactivated at Maydayrooms events where documents are scanned and media resources organised. Their collection features a selection of period film and event documentary, available over their local area network, alongside an extensive document catalogue for researchers to explore.

A complete set of the DAU film sequences, it’s huge image collection of period artifacts and extensive wardrobe as worn during filming and by residents of Kharkiv, features in their intranet media project. The DAU feature film is itself now due for release in 2017 the centenary of the Russian revolution.

4 for four

Creeknet, is one of four project pilots being operated as part of the MAZI initiative which will bring together components for a neighborhood network toolkit. This will feature a guide for those establishing or improving on open wireless and offline collaborative systems, advising on cost effective hardware and open source software solutions, whilst refining tactics and tutorials.

To help co-ordinate and explore the many options, we worked with MAZI partner University of Thessaly, Greece, to establish a suite of software to test and use in our local networks. Etherpad is a collaborative writing tool and OwnCloud is a document and media management system. UTH role is to co-ordinate and consolidate toolkit components and the first prototype, on a RaspberryPi disk image is available for testing featuring these and small selection of complimentary applications. In the simplest mode, presents a ‘stand alone’ wireless access point running webserver and other local services to promote working together. Without internet connection, any requests for webpages are redirected to local webpages listing services and describing options.

During recent workshop at the Prinzessinnengarten in Berlin, we heard about progress of MAZI pilot ‘Common Ground‘ during launch of Neighborhood Academy building in the garden. Their prototype ‘interview station’ enables one 2 one interview recording and publishing process. Completed interviews are published directly to their offline server prototype  for review and comment by those visiting the garden academy. The same combination of powerful software options and offline network server was in use during the recent Unmonastery at Kokkinopolis, a two week meeting in the Olympus mountains in Greece where it was first tested by them for communal exchange and interaction.

Kraftwerk1 housing cooperative in Zurich is working with Nethood to identify suitable evolutionary path away from their proprietary cloud information system. Their inspirational living model has been a great success and with growth of cooperative housing across Switzerland there is increasing interest in mapping of methods and monitoring of progress not least at Inura.

The ‘Creeknet’ pilot began in April 2016 describing first impressions and identified groups from the local area whom SPC have worked with in the past, to propose key issues and ideas to explore.There are many aspects to consider, changes to the built environment here are continuing at a rapid rate, some groups are being sidelined with conditions for living and working in the area facing disruptive challenges as well as opportunities.

Our role as advocate for user owned and operated information infrastructures is well known in the area. SPC worked with individuals, neighborhoods and local businesses from 2001 on a series of DIY low tech network projects, last represented by OWN, the open wireless network established 2008. Today the effects of population churn, rise of portable computing, concerns for personal security as well as long term exposure to the elements have reduced the operational status of OWN to a shadow of it’s former self.

The afterglow of positive experiences gained over eight years is now being rekindled with the prospect of renewed offline network development, expressing a passion for the ‘local’, celebrating neighborhood news and wider collaboration. The access to broadband provided by OWN in the area, needs re-doubling if it is to serve the co-ordination demands of MAZI ‘offline’ network development and monitoring of process. This process is now underway with new connections being upgraded between Deckspace in Greenwich and Minesweeper on the creek. From there we will continue to redistribute access to locations of activity nearby.

Monumental civil engineering and relentless apartment block building is underway throughout the area, bringing changes to the environment for everyone. For some it will mean the end of affordable rents for both domestic and workspaces. For others, this area of London is where overheads are still comparatively low. It will certainly result in increased traffic, noise and pressure on services, a transformation in the mix of people and expectations.

Pollution concerns over quality of water, air and electrosmog, processing of rubbish and recycling urgently seek answers. The Creekside Centre and other Deptford Creek groups are already working on the creeknet MAZI pilot to build on existing relationships and operate more effective information sharing and neighborhood network solutions. With these issues in mind early installations will include a range of passive environmental sensing of sound, light and radio.

The opportunity for social interaction in the area is limited to the few publicly accessible parks, pathways and the remaining pubs alongside west and eastern banks of the creek. A few new public areas have being created which have yet to be understood and adopted. For example the new footbridge at the mouth of the Deptford Creek, completes the Thames path between Deptford and Greenwich, a perfect place to focus attention and present a MAZI zone.

Besides the Screen conference

The 2016 conference in Coventry marks the end of a cycle of activities sponsored by the British
Arts & Humanities Research Council , meaning to articulate an international research network
devoted to the many territories of dispute in the contemporary arrangement of audiovisual
media, such as piracy, curating, and projection practices.

The conference series Besides the Screen began in London in 2010 at Goldsmiths College,
University of London. The event meant to gather research projects focused on an apparently
secondary subject in the field of screen studies: the instances of film distribution and
consumption. By that time, it already seemed important to promote debates around these topics,
considering that some of the most meaningful effects caused by computer networks on
audiovisual media are connected not to image production, but rather to the emergence of new
dynamics of circulation – from peer­ to ­peer filesharing to mobile screens, from VJing to
video­ on­ demand.

Wednesday 20th July 2016
Ellen Terry Building, Coventry University

14:30 ­ Coffee and Registration (Foyer, Ellen Terry Building)
15:00 ­ Conference Welcome (ET101)
15:15 ­ 16:45: Panel 1 (ET101)
17:00 ­ 18:30: KEYNOTE ­ Charlotte Brunsdon & The Projection Project (ET101)

­­­­­18:30 ­ 19.30: Break­­­­­

19:30 ­ Exhibition opening and music from Accelra @ The Box, FarGo Village

Thursday 21st July 2016
Ellen Terry Building, Coventry University

10:00 ­ 11:30: Panel 2 (ET101)
11:30 ­ 12:00: COFFEE
12:00 ­ 13:30: Panel 3 (ET101)
13:30 ­ 14:30: LUNCH
14:30 ­ 16:00: Panel 4 (ET101)
16:30 ­ 17:30: Performance (Ricardo Carioba) (ETG34)

­­­­­17:30 ­ 18.00: Break­­­­­

18:00 ­ Leafcutter John (Performance & Q&A) @ The Box, FarGo Village

Fri 22 (Ellen Terry Building)
Ellen Terry Building, Coventry University

10:00 ­ 11:30: Panel 5 (ET101)
11:30 ­ 12:00: COFFEE (Foyer)
12:00 ­ 13:30: PANEL 6
13:30 ­ 14:30: LUNCH (Foyer)
14:30 ­ 16:00: KEYNOTE ­ Nelson Brissac (ET101)
18:00 ­ Performance (mirella & muep) (ETG34)
20:00 ­ Close

Keynotes

Projection, the Moving Image and the Transition to Digital
Charlotte Brunsdon, Michael Pigott and Richard Wallace
This plenary session will be presented by Charlotte Brunsdon, Michael Pigott and Richard
Wallace who are working together on the AHRC­funded Projection Project (2014­18). This
multi­method project takes projection as its starting point in an exploration of cinema’s transition
to digital. In this presentation we will outline some of the premises of the project, and present
findings which range from interviews with former projectionists to sounds from the projection
box. Our project includes archival and oral history research into the neglected history of the
cinema projectionist through which we challenge the primacy of the image in theorisations of
cinematic specificity, revealing in contrast the role of hidden labours of cinema exhibition. While
we are attentive to the human cost of the transition to digital in terms of redundancies and
redeployments, we are also concerned with the new possibilities of the emergent uses of digital
projection outside of the cinema space. Here we attend to practices – such as projection
mapping ­ enabled by the portability and flexibility of digital projectors, and situate them within a
long history of projection. By investigating the role of outdoor projection as a means of both
advertising and protest, as well as the figure of the nightclub VJ, the project seeks to identify
continuities and differences that pertain within the extra­cinematic everyday uses of moving
image projection. As a multi­part presentation we will seek to give a sense of both what is
hidden and lost in the projection box, and what is imagined outside it in a wide range of venues
and practices.
Professor Charlotte Brunsdon has been Principal Investigator of the Projection Project. Her
most recent research had been concerned with the spaces of film and television and she has
just completed a book on T
elevision Cities t o be published by Duke University Press in 2017.
Dr Michael Pigott is co­investigator on The Projection Project and author of J oseph Cornell
versus Cinema (2013). He teaches visual cultures and audio­visual performance at the
University of Warwick. He also works as an artist and has been known to do some VJing.
Dr Richard Wallace is Research Fellow on the Projection Project. He has research interests in
British film and television history and technology, historical research methods and screen
documentary and has published in the J ournal of British Cinema and Television.
All work at the University of Warwick, mostly in the Department of Film and Television Studies.
projection.project@warwick.ac.uk

Triangulated

The brexit debacle has so far proved to be a substantial distraction from much else going on this week. However, work toward the first of many MAZI reports to satisfy conditions for EU support, has been completed on time. Our academic partners at the Open University now have an additional part time researcher (Gareth) in post to help prepare the ground work for the next phase of neighborhood engagement which SPC are for preparing now. Here is Mark pointing out the Minesweeper floatilla on the creek.

We haven’t had many visitors to the recent Brookmill Park, Monday meetups, though great progress has been made with those attending to clean and prepare the space for Redstart Arts who take up residence later this summer. Their current exhibition at the Deptford Lounge is result of 8 months work with learning disability artists and called ‘weatherSCAPE’. It has been installed in the 4 story atrium space there, very impressive!

Much of the Brookmill conversation so far, has been concerned with how to improve on use of the park and encourage a wider appreciation and support for the events and activities organised by the ‘friends’ group. Last weekend YT joined the Picnic and met with near neighbors as well as some more familiar faces. There was great interest in the MAZI activation initiative using the park keepers building and many questions on what and how might be possible. We sat in dappled light beneath a giant London plain tree with it’s bat and bird boxes, adjacent to the large pond with resident heron and frolicking water birds, to share stories, savories and cakes!

Later this month we will meet again with MAZI partners Common Ground in Berlin to review progress of the new Prinzessinnengarten building in progress  and enjoy the bloom of midsummer. Terry Edwards has been in a battle with slugs at the small gardens in Crossfields Estate he tends and will join us on the trip this time.

Here in Deptford there is no shortage of building work underway as seen here in this site view adjacent to CET. Directly opposite, preparations for the Tideway tunnel excavation are also advancing quickly. Intensive building work in progress on both sides of the creek reach are reaching crisis point as project increasingly coincide and collide. Any plans for environment monitoring, neighborhood awareness and useful responses may be foiled if we don’t make some rapid progress before long.

Knitted out

The quest for suitable, sustainable network equipment is an ongoing and fascinating one.  New products with great capabilities, low cost and power, compactness and accessibility, hold much promise.

The first to catch my eye during a recent visit to Raylab is this GPRS shield v1.0. It’s a compact and versatile board featuring audio I/O, generic GSM module and 12 GPIOs. It is also fully compatible with Arduino modules so that existing controllers, radios and sensor packs fit right in!

Next on the desk was long awaited Huzzah! IoT ‘feather‘ which Alexei ordered some weeks ago and so popular it’s rarely in stock. Preliminary test returns simple but reassuring responses.. This tiny board boasts memory, processor very low power consumption and frilled with many connection options, amazing value at £12.

A third product blinking innocently away across the desk,  had been delivered just that afternoon. Vocore.io is a fully featured mini OpenWRT SoC (system on chip) module with ethernet and USB dock, wireless and RAM enough to make itself indispensable. £40 ish.

Our MAZIzone assignment to identify and utilise the best of options for neighborhood activities and network development have already drawn us close to a series of interesting options for environment sensing , information storage and energy management. It’s a fragmented story so far, but one that we are bringing into focus, piece by piece.

When we next link up with guys at University of Thessaloniki research department in Volos there will be much to discuss. They have been working with a selection of off the shelf and custom pico pc boards and adapters to interface a wide range of environment sensors to track temperature to radiation and drive Bluetooth, Zigbee, Wifi and LTE radios.

after.video @ AMRO

Art Meets Radical Openness
Festival dedicated to Art, Hacktivism and Open Culture

“Art Meets Radical Openness” is a community festival, an open lab, and a meeting point for artists, developers, hactivists, and idealists involved with the culture of sharing and communal production. They are catalysts that spark new discourses and open up new directions of thinking. Free Open Source Software, open tools in general and the use of free licenses are the precondition and basis for the digital practice of a community like this, which impels social transformation. This tangible transformation goes beyond a digital practice and also changes our real life.

This exhibit and/or paper presents the after.video video book, discussing the topic of “Online and offline platforms for the exhibition and circulation of audiovisual media”. The after.video book represents a fusion of the modes of the digital/networked publication and the traditional form of the physical (wasted?) book. There have been first thoughts about the links and exchanges of the old traditional format of the book and the possible accordances of the digital book on a more practical level. The theoretical framing is given by thinkers of the book like Bob Stein: “the computer screen became a place for synchronous and asynchronous conversation. As web technology improved people started putting essays and books in a browser with a dynamic margin where readers could make comments visible to everyone. Over the past ten years the experience of dozens of ‘social reading’ platforms suggests that books will become places where people congregate to hash out thoughts and ideas.” (1). Practically this fusion of the possibilities and formats of new digital media (like video) and traditional academic text-form is also making headways – like exemplified in the ‘Frames of Mind’-project (2). Open Humanities Press has taken these beginnings and fused different pre-existing trajectories of development as instantiated by above projects and conceptions, and fused them with the idea of rendering the digital book after.video as a physical device, much along the lines already taken in the landmark project “The Weise7 in/compatible Laboratorium Archive” (3). This conceptual leap represented by the dual-mode video-book enables the Centre for Digital Cultures (4) and Open Humanities Press (5) to not only go beyond the format offered by the first two volumes of Video Vortex (as put out by the Institute for Network Cultures (6), but also beyond the current state of digital publishing in media-rich, video-centric contexts, thus presenting a unique publication which reflects upon video theoretically, but attempts to fuse form and content in its own dual format.

We also participated in the Liquid Democracy workshop, a report (in German) can be found here.