Freies WLAN auf dem Lunatic Festival
Freies WLAN auf dem Lunatic Festival
Das mittlerweile elfte “Lunatic Festival” findet am 06.06 – 07.06.2014 in Lüneburg auf dem Campus der Universität statt. Der Verein Freifunk Lüneburg (i.G.) ist dieses Jahr mit dabei!
“Ziel unseres Vereins ist es, dass Menschen die Möglichkeit erhalten in Lüneburg und Umgebung freie Netzwerke aufzubauen, zu betreiben und sich darüber sozial und kulturell austauschen.
Ein Festival wie das lunatic ist dafür ein spannender, temporärer, experimenteller gesellschaftlicher Mikrokosmos. Wir wollen sehen, ob unsere Idee dort funktioniert.
Dazu werden wir an strategischen Stellen auf dem Campus-Gelände unsere privaten Freifunk-Geräte aufstellen, um das Gelände mit WLAN zu versorgen.
Wir wollen möglichst vielen Festival-TeilnehmerInnen einen kostenlosen und freien (d.h. unzensierten) Zugang zum Internet zur Verfügung stellen.”, so der erste Vorsitzende Arnim Wiezer.
“Weiterhin werden wir auf dem Gelände temporär “Freifunk”-Aufkleber anbringen, die die Festival Teilnehmer darüber informieren, dass sie Freifunk und das Internet nutzen können.
Freifunk Lüneburg wird auch auf einem der Festival Flyer vertreten sein und die NutzerInnen darauf hinweisen, dass sie sich unter freifunk-lueneburg.de genauer über Freifunk informieren können.” , sagt der zweite Vorsitzende Rüdiger Biernat.
“Wir bedanken uns herzlich bei der Leuphana Universität, die unser Freifunknetz an das Internet anbindet.”, so Claas Heinrich, Schatzmeister.
Von Londoner Netzaktivisten (http://resync.ug) wird das Freifunknetz zudem für einen kulturellen Workshop verwendet.
Per Smartphone, QR-Code und Freifunknetz können die Festivalgänger online ein Mashup aus Bilder, Sound und Videos erstellen und beobachten.
Weitere Infos hierzu:
http://freifunk.net
http://freifunk-lueneburg.de
http://resync.ug/wp/?page_id=17
Wir freuen uns auf das Lunatic Festival!
Analog III
reSync besucht analog III: “Verlagsbranche im Wandel”
“Haben die gedruckte Zeitung und das gedruckte Buch eine Zukunft? Wie gehen Verlage und Redaktionen mit dem digitalen Wandel um? Fragen, über die rund 60 Teilnehmer und Teilnehmerinnen aus der Region Niedersachsen im Rahmen der Veranstaltungsreihe ANALOG im Stadtarchiv Lüneburg diskutierten. Auf Einladung des Innovations-Inkubator Forschungsprojekts Hybrid Publishing Lab am Centre for Digital Cultures trafen sich Fachleute aus allen Bereichen der Medienbranche sowie interessierte Bürgerinnen und Bürger, um sich über die Digitalisierung der Medien auszutauschen, Erfahrungen zu teilen und den Blick für aktuelle Herausforderungen zu schärfen.” (CDC 2014)
Sieh auch video editing server & WikiTV
reSync @ Art meets radical openness
ReSync.UG visited the art meets radical openess festival, taking part in a discussion around mesh networking. The whole programme can be found here: http://www.radical-openness.org/programm/2014
VPN PICNIC: FROM HIVENETWORKS TO PIRATEBOX
Hivenetworks, started by Alexei Blinov and collaborators nearly 10 years ago, is an Open Source project that explores the new concepts of DIY network building, mesh architectures and ubiquitous computing. The aim is to take the DIY networking and publishing to the point where it becomes accessible to anyone with creative mind and basic knowledge of computing.
A PirateBox, designed in 2011 by David Darts, is a portable electronic device, often consisting of a router and a device for storing information, creating a wireless network that allows users who are connected to share files anonymously and locally. By definition, this device is disconnected from the Internet.
We are proposing an outdoor gathering, a picnic, where we’ll test both platforms and discuss history of the future of autonomous connecting, media (file) sharing, meshing and swarming tactics in urban environment.
Unitary Networking
Unitary Networking is a speculative approach to communications infrastructure, trying to establish a link between urban technology and communication technology and reflecting on the way they form networks of power.
In practice, the starting point of the project is an electronic messaging system running on a wireless mesh network, composed of both fixed and moving nodes. The messages propagate through the network when the devices come in contact with each other. It is a non-hierarchical network, where every node receives, relays and broadcasts messages. The users of the network can send or receive messages by using the webbrowser of their smartphone or computer. The messages can be received and sent at any time, but are only synchronized when other fixed or moving nodes are encountered.
We propose a three day workshop to install the prototype and discuss
together with the participants: The first day will explain the technologies involved and the various elements that we could play with. The participants will be able to make their own nodes for the network and we will think about how these nodes
could fit in the public space. On the second day we would like to go outside to set up the network in the streets and/or the public transport of Linz.
During the third day we would like to have a public presentation of the concept and progress, and open the use of the network to eventual experiments.
The project breaks down into a series of elements that will be part of the worksessions:
the installation of the devices that connect in the mesh network, which
will be flashed with free open-source software
the exploration of the urban space as a platform to deploy the network
the preparation of camouflaged devices as self-sufficient nodes, by
connecting it to solar panels or by parasiting vulnerable sources of energy
the construction of antennas to bridge longer distances
We count on public participation and interaction for making this proof of concept and the existing prototypes into a meaningful collective situation.
The workshop is open to public with different backgrounds and skills, as the different tasks in the project can be shared according to the capabilities and interests of the participants.
Options for Participants:
If the participants would like to create a node of their own they should
bring an Open-WRT compatible router. For a list of compatible hardware
see(http://wiki.openwrt.org/toh/start). We recommend the TP-Link
TL-MR3020 and TP-Link TL-WR703N for their small size and low power
requirements. We will bring between 5 and 10 routers ourselves, to be
used as nodes.
DATA UNION discussion group/worklab
Data Union is a project by The Analogue Group. It aims to create a viral union of data refugees, whose only possession is their data, as an experiment in everyday life, that is, as a laboratory of innovation for the autonomous use of data in local contexts globally networked.
These data unions will add value to contemporary movements of ecological, economic, racial, and gender equality in three specific ways:
1. To work with groups to understand contemporary regimes of copyright, and open data movements.
2. To develop a political analysis of the data-yielding activities of their communities, groups, and organisations.
3. To develop a collective, creative, and democratic response to the social, economic, and cultural implications of Big Data and to fully leverage the value of that data in the interests of democracy, equality, and justice. More here: http://dataunion.org.uk
We’d like to spread the word about Data Union beyond London where current activities are situated. An afternoon of discussion examining efficacy of everyday behavioural tactics relating to data, surveillance and autonomy to enable anonymity, data disruption and pollution, autonomous organisation, value negotiation.
If time allows, we propose to test the Open Mustard Seed (OMS) Framework, a project by researchers, developers and entrepreneurs, primarily from Harvard and MIT and the Boston Community that seems to bridge a gap to developing autonomy in data retention, monetisation and eventual strike.
The Open Mustard Seed project is an open-source framework for developing and deploying web apps in a secure, user-centric personal cloud.
The framework provides a stack of core technologies that work together to provide a high level of security and ease of use when sharing and collecting personal and environmental data, controlling web-enabled devices, and engaging with others to aggregate information and view the results of applied computation via protected services.
url:
http://dataunion.org.uk
http://idhypercubed.org/wiki
ifttt
Latest apps for Android and iOS include long overdue ifttt automation suite which will extend the scope for syncronising and managing publicity during the events we have scheduled. So far I can’t see a btsync channel, perhaps we will get one added.
We are using a recipe to trigger a tweet to be displayed whenever a new lunatic makes a badge which displays their resync qrcode. If it works like this I shall be amazed
Lunatics
Welcome to the reSync workshop at the Lunatic annual arts and music festival in Lüneburg Germany 6th and 7th June 2014. from 12:00 till 20:00 each day.
Please register to make your custom reSync badges to promote your media shares over the Freifunk open wireless network and contribute to a festival mashup of image sound and video.
- Install BTsync to your Smart phone, Tablet or PC
- Create a reSync folder for your favorite texts, images or movies
- Scan your dedicated reSync code and add media to your reSync folder.
- select automatic sync
- make and wear your badges.
Visit us and find out more in the Spielwiese area on (artist fair on campus). see the map
Analog II
reSync besuchte die Analog II Veranstaltung um das Thema “Kontrolle politischer Macht durch Medien muss sein”. “21. März 2014 Lüneburg. Von prekären Arbeitsbedingungen für hochqualifizierte Journalisten bis zur Verantwortung der EU für die Vielfalt der Lokalzeitungen – auf der Medientagung ANALOG der Leuphana Universität Lüneburg diskutierten rund 100 Medienvertreter und Journalisten am 20. März die Zukunft des Qualitätsjournalismus. Prof. Dr. Däubler-Gmelin sprach sich für die Kontrolle politischer Macht durch die Medien aus.” (CDC 2014)
D-cent event
reSync visited on the 14th of March 2014 d-cent: “D-CENT is a Europe-wide project creating privacy-aware tools and applications for direct democracy and economic empowerment. Together with the citizens and developers, we are creating a decentralised social networking platform for large-scale collaboration and decision-making.” (D-cent 2014)
Nesta announced that: “on March 14th we will host the D-CENT launch event in London at Nesta and we would like to invite you to attend the event and participate in the working group sessions. The event will draw a number of high-level policy makers, academics, activists, civic society organisations, and hackers from the field. Together we will dive into new ways of strengthening citizens’ participation and deliberation in the political process presenting already existing digital tools for open democracy, new frameworks for institutional innovation, and alternative economic models based on complementary currencies and digital crypto currencies.”
Art Meets Radical Openness
Uncovering new truths and making them public as a disruption and criticism of the dominant system has consequences.
Threat scenarios of the digital surveillance state inevitably have palpable effects on our lives and actions. Access to information, infrastructure and technology, which is especially important for activists in repressive regimes up to the present, has become a widely discussed issue since Snowden’s disclosures at the latest, because now a broad mass of people in democratically governed states see their “privacy” endangered. Independence, confidence and freedom are massively put to the test.
Artists, hacktivists, cultural producers, journalists, software developers and idealists, in short creative actors with a desire for change increasingly find themselves in uncertain territory. Which methods and alternative tools can be used to generate new views of everyday life, work, money, politics and the environment, and to instigate a new cultural practice, to impel civil society processes, without them being nipped in the bud?
How do creative actors contribute to the process of change and which new forms of cooperation do they enter into?
# Program # AMRO Showcase # Speakers
Contributers:
Klau Kinki/ES; !Mediengruppe Bitnik/CH; Adnan Hadzi/CH/UK; Aleš Hieng, SLO; André Castro/ES; Andreas Zingerle/A; Anne Roth/DE; Dennis de Bel/NL; Roelof Roscam Abbing/NL; Dominik Leitner/A; Donna Metzlar/NL; Femke Snelting/NL; Franz Xaver/A; Heath Bunting/UK; Inari Wishiki/UK; Jakub Pišek/CZ; James Bridle/UK; James Stevens/UK; Jonathan Kemp/UK; Karlessi/IT; Konrad Becker/A; Larisa Blazic/SRB/UK; Linda Kronman/FIN/A; Lizvlx/A; Lonneke van der Velden/NL; Marc Garrett/UK; Marek Tuszynski/ Margarita Köhl/A; Martino Morandi/IT; Marie Polakova/CZ/A; Michael Schweiger/A; Nathaniel Tkacz; Niek Hilkmann/NL; Renfah/A; Robertina Šebjanič/SLO; Roelof Roscam Abbing/NL; Selena Savić/CH; Taro the cook/A; Tatiana Bazzichelli/IT; Valie Djordjevic/DE; Veronika Krenn/A; Vesela Mihaylova; Victor Diaz/ES; waiwai; Wolfgang Spahn/DE; Yoana Buzova/NL; Reni Hofmüller/A, Jogi Hofmüller/A; u.v.a
Afterglow – art hack day
reSync visited transmediale 14: afterglow’s art hack day: “Afterglow” is a collaboration between Art Hack Day, LEAP Berlin and transmediale. As coders we fear the ‘legacy’ system, a piece of old junk we haven’t yet figured out how to throw away. As artists, we’re tempted by prolific outbursts of freshness and novelty; more art of less value. Businesses and government crave more data, more connections, more context. By embracing these impulses without contemplation we perpetuate the technological hype cycle and unintentionally shorten the half-life of our artefacts. Technology has become akin to a natural resource, generating physical and immaterial waste that is appropriated in such diverse contexts as e-garbage dumps, big data businesses and mass surveillance schemes. As such, trash is no longer what is just left behind but is central to our post-digital lives. When digital detritus piles up it decomposes, giving rise to a post-digital afterglow with the potential for new expression and new enterprise. Can we make peace with our excessive data flows and their inevitable obsolescence? Can we find nourishment in waste, overflow and excess? Can the afterglow of perpetual decay illuminate us?” (Art Hack Day 2014)