Mazi Mondays

Panos-small“What I had in mind is that the research would focus on an area covered by a local network either permanently or at least during the duration of the project. This network would host locally crafted educational material and floss applications that would showcase emerging tools and technologies. This could be as simple as a single web hosting device offering short-range access or a community mesh network with broader objectives. “

This preferred area of focus may well coincide with existing mesh node installations.. it’s along the creek so there are indigenous social housing, boating, artistisan, hoodlum, drinking and eating communities as well as inevitable high rise developments and mixed emotions!

SPC has capacity in it’s network to offer uplinks to Mazi for the duration..  Mesh solutions are great for mobile network nodes and for resilience in an unstable environment. Primed with a set of great locations and willing collaborators aplenty, a point to point radial model will ensure greater stability and higher speeds for community needs. We already have a few low power servers and resources available and have set up a mazi subdomain of spc.org

SE9 mateThere is a swell of social, cultural and creative interest along Creekside in Deptford where we have enjoyed success in the past. We hope to rekindle interest and activity in support of the Mazi workshop program and the adoption of a locally delivered alternative to commercial web dependencies.  Meanwhile the whole area is being “developed” so there are rising blocks on every quarter isolating areas of Deptford which will present a challenge when fixing links and bridging ideas.

The river Ravensbourne snakes from Bromley through Lewisham and opens out after Elverson Road DLR into naturalised riverside alongside Brookmill Park. It retreats into a concrete slot under the A2 at Deptford Bridge DLR and emerges as Deptford Creek up behind LeSoCo (Lewisham College) canyoned by new flats and hotels on the Greenwich side, developments that are set to run the length of Norman Road.

Babar-Birdnest0914

Just as the Creek broadens a little and gets really muddy there is a branch mooring a dozen barges and smaller boats. On land there are a similar array of trailers and vans where people live and work. At the top of Creekside on the corner of Deptford Church Street is the Birdsnest live music pub and local flux point. The yard that wraps around it features Big red Pizza Bus and an array of related performance and construction trades. Other adjacent properties are in progress of reactivation in the sweep of enthusiasm for SE8. APT (artists in perpetuity trust) purchased the old factory building in 1995 and their community of traditional crafts practitioners are at the core of Deptford artist reputation.

Creekside Education Centre  has the only direct access to the creek. Boundless broadband coop was first implanted here in 2004, and is still operating an OWN node today. Over the road is the Crossfields council housing estate, repopulated  by young families,  artists and musicians in 1970’s and regularly commented on. Thereafter it’s a pick n mix run of light industrial yards, Scaffolders, Machinists, Work Units, Art Studios, Cockpit Arts, Laben Dance and bonanza of real estate prospectors with plans to block out the light.

cropped-minesweeper2001A 2nd world war Minesweeper is moored alongside one of few remaining light industrial estates off Norman Road. It has a mixed crew of arty anarchos who screen print t-shirts and lead on refurbishment of the aged hull, host great parties and a flotilla of smaller boats. Madcap Coalition have just moved to one of the remaining warehouses adjacent to the cement works by the Creek Road lifting bridge. Finally at the mouth a new pedestrian swing bridge links between swanky new condo’s before the creek tips into the Thames.

More, much more info about the area and it’s many great features, ideas and activities are reported in a clutch of local blogs, projects and innovations to numerous to detail here.

Here is the MAZI project outline;
Do-It-Yourself networking refers to a conceptual approach to the use of low-cost hardware and wireless technologies in deploying local communication networks that can operate independently from the public Internet, owned and controlled by local actors.
MAZI means “together” in Greek and the MAZI project invests in this paradigm of technology-supported networking, as a means to bring closer together those living in physical proximity. Through an experienced interdisciplinary consortium, MAZI delivers a DIY networking toolkit that offers tools and guidelines for the easy deployment and customization of local networks and services.
The MAZI toolkit is designed to take advantage of particular characteristics of DIY networking: the de facto physical proximity between those connected; the increased privacy and autonomy; and the inclusive access. Such characteristics are used to promote information exchanges that can develop the location-based collective awareness, as a basis for fostering social cohesion, conviviality, knowledge sharing, and sustainable living.
To achieve this objective, MAZI brings together partners from different disciplines: computer networks, urban planning and interdisciplinary studies, human-computer interaction, community informatics, and design research. These academic partners will collaborate closely with four community partners to ensure that the MAZI toolkit benefits from the grounded experience of citizen engagement.
MAZI draws from the diverse mix of competencies of its consortium to develop a transdisciplinary research framework, which will guide a series of long-term pilot studies in a range of environments, and enhanced by various cross-fertilization events.
The main goal of this process, and its measure of success, is establishing DIY networking as a mainstream technology for enabling the development of collective awareness between those in physical proximity, and the development of surrounding research and theorizing of this approach.
Participants; University of Thessaly, NetHood, Edinburgh Napier University, Berlin University of the Arts, Open University, INURA Zurich Institute, SPC, Prinzessinnengarten, and unMonastery.

En Necromasse: an optimistic, fungal perspective on death and production

Our friend Debra Solomon opened her show “En necromass: an optimistic, fungal perspective on death and production”

Debra’s practice has involved exploring the role of fungi as transformers of organic materials and as soil builders. Her residency placed particular emphasis on the soil rhizosphere; where plant roots, microbiota and soil fungi interact. During her residency she closely observed soil building in the diverse living locations of the gardens and woods at Schumacher and within the Dartington Estate. She was also able to engage with horticultural experts, including the Head Gardener at Schumacher (Jane Gleason), the Head Gardener at Dartington (Ian Gilbert) and the Forest Garden expert Martin Crawford, in a conversation about the value of soil compared to mainstream agricultural practice.

From this experience she developed a series of screen-prints, presented here, about soil from the perspective of fungi called En necromass: an optimistic, fungal perspective on death and production. The works reference the vast communication and exchange that takes place in around the root zone. Here there is the most life and nutrient production as well as the death and decay of organic matter, as nutritious necromass transforms into soil. The rootball of a recently storm-felled tree, mycelium feeding on a dead leaf, a leaf’s skeleton, and spore prints that appear as ghosts, tell a myco-centric story of materials becoming soil.  The silkscreen prints were produced with the well-known Amsterdam printmaker, Kees Maas.

Art @ 30C3

This year the Chaos Communication Conference hosted a stream on ‘art & beauty’ where !Mediengruppe Bitink presented Hacking as Artistic Practice (see video) and Robert Ochshorn presented Against Metadata (see video).

We briefly had a chance to brainstorm how to work with Interlace for the Media Mesh workshop at the Taking Care of Things event in January. Julian Assange spoke over a video link on Sysadmins of the world, unite! (see video).

Other highlights of the art stream were:
Hello World!
The philosophy of hacking
The Pirate Cinema
Turing Complete UserAnonymity and Privacy in Public Space and on the Internet
Forbidden Fruit
Seidenstrasse
Do You Think That’s Funny?

We met old friends on the stubnitz and at the noisy square party.

Infrastructo

…your electrosmog or theirs ?

At 2pm on Saturday a gathering of infrastructure self providers will met up at the Cryptoparty for a fireside chat to exchange stories and acknowledge the phases of fruitfulness experienced by all involved in an ongoing effort to “take care of things”.

own-reSynced-02 cp-logo-200x67A decade on from DMZ festival at Limehouse Town Hall, SPC roll out the OWN exhibit once again in celebration of London Cryptofestival this coming Saturday 30th November @ Goldsmiths Uni, New Cross.

own-reSynced-03This time it will feature research and archaeological artefacts cored from the SPC servers, Flyer stash and old CDR’s  reSynced in recent months of weekly workshops at Deckspace in Greenwich.

thanks to ; Mark Garret own-reSynced-01of Furtherfield.org, Peda and Ushi of Servus.at, An Martens of Constantvzw.org, Jaya Papaya of MayDayRooms.org and Rachel Baker of irational.org for their contributions.

Delivery For Mr. Rajab


A LIVE MAIL ART PIECE
TRACKING A PARCEL FROM JULIAN ASSANGE TO NABEEL RAJAB

London.
Monday, October 28 2013

«Delivery for Mr. Rajab» is a live mail art piece and the continuation
of «Delivery for Mr. Assange». In January 2013, !Mediengruppe Bitnik
sent Wikileaks-founder Julian Assange a parcel containing a hidden
camera. Through a hole in the parcel, the camera documented and
live-tweeted its journey through the postal system, letting anyone
online follow the parcels status in real-time. After 32 hours and a
tantalizing and intense journey, sharing over 9000 images of postal
bags, vans and delivery centers, the camera arrived and Julian Assange
performed for the several thousand people watching.

Together with Julian Assange, we have decided to send the parcel on a
second journey. The next recipient is Nabeel Rajab, a Bahraini human
rights activist, opposition leader and protest leader. He was arrested
several times in 2011 and 2012 during the ongoing national uprising in
Bahrain. Currently, he is serving a two year prison sentence for
protest-related charges and has been jailed at Jaw Prison in the
Southern Governorate of Bahrain since August 2012.

The images from the parcel are transferred to our website & twitter,
where the status of the parcel can be followed in realtime.

http://rajab.bitnik.org/
http://www.twitter.com/bitnk/

The parcel was picked up at the Ecuadorian embassy by the postman at
16:12 GMT on Monday, 28 October 2013.

The parcel is due to arrive at its destination within 48 hours. Should
the first parcel fail to reach Nabeel Rajab, a second
and third attempt will be made within the next few days.

We want to see where the parcel's journey will end.
Which route it takes and whether it reaches Nabeel.

!Mediengruppe Bitnik
http://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/

Cryptofestival

During the Crypto workshop at Mozfest Matthew Fuller announced some details of the upcoming Cryptofestival at Goldsmiths, University of London. This version of the Cryptofestival will focus on the ‘post-‘ Snowden area we have been catapulted into since June.

The official call states: “Freaked out by spiralling revelations of NSA surveillance? Worried that the spooks have subverted the internet at every level to make it a vast, multi-layered panopticon? Or simply creeped out by the way services like Facebook & Gmail track everything you do so they can profile you for advertising?

Whatever your paranoia, now is not the time to give up on the internet. It’s time for a CryptoFestival! On November 30th we’re coming together to build on the success of the CryptoParty movement and to reclaim our right to communicate and experiment on the internet.”

Hit the Road Map

We visited the “Hit the Road Map: A Human Timeline of the Open Education Space”, a pre-event to the MozFest, organized by P2PU & CC School of Open & Flossmanuals, as announced back in September.

We started with a Spectrogram a prompt reflection/discussion on the changing meaning of open over time, discussing  the idea of open education as a new development, through statements such as: “Open education will replace formal education. / The web will replace teachers and institutions. We’ve lost sight of the original meaning of ‘open’, for example when it was first used to describe the open source software movement. The meaning of open has changed since software became open and we’ve lost sight of that original meaning.  Openness is the most revolutionary development in education since the invention of the printing press”, if we agree or disagree with those statements, or are somewhere  in between on the Spectogram line..

Then we went on to draw the Open Education Timeline, referring to the Timeline of the Open Access Movement, and the UK Open Government Data timeline, the Timeline of US Copyright law, by stating first when and where we had the first encounter with “open”, or some might argue “free”.

Marieke thn explained OKFN’s Open Ed Handbook and how this timeline will fit into it. How it will be digitized it and put up for further iteration on the web, time mapper software.

Creative Commons blog entryHelp us Build on our timeline

dorkbot london #84

Dorkbot #84 took place last thursday.  Henry Cooke: “Faces in the Cloud is an automated experiment in machine pareidolia by Henry Cooke. Henry will be talking about how he ended up making it, the processes it uses and what edge-cases of computer perception can teach us about their and our perceptive systems.” The Git repository.

Reminding us of Julien Priest’s project The Weight of Information.

Dave Green presented CheapSynth: “An opendork about my Arduino MIDI ‘fully programmable open hardware 8-bit keyboard… for less than £30’ with new
features since London Maker Faire etc ” The Git repository for the CheapSynth project..

Of course James took one of the cheap synths with him, expect some noise coming out of dek!

FairData

Last weekend we went to visit the anarchist bookfair and met Christoph Fringeli from Datacide (and Praxis) where they presented their thirteenth issue. Datacide used Backspace back in the nineties when running DataRadio programme, of which one can still download. Those sessions are also linked in from the WalkerArt Mediatheque.

Last Sunday datacide hosted a launch event at Vynil in Deptford. Christoph Fringeli gave an overview of Datacide, David Cecil spoke about ‘Confessions of an Accidental Activist’, and Neil Transpontine presented ‘Revolt of the Ravers – the movement against the Criminal Justice Act in Britain’. 20 years since the UK Government announced new laws targeting gatherings with music ‘characterised by repetitive beats’. DJ Controlled Weirdness finished the evening.

Neil took part in some of the Deptford.TV events, such as What will New Cross be?, back in 2008 when The People Speak hosted at Talkaoke event, the documentation of the Urban Free Festival, and the Mindsweeper events, of which much is documented in the Deptford.TV diaries ‘strategies of sharing‘ & ‘pirate strategies‘…

Datacide, international ‘magazine for noise and politics’, has its origins in the underground techno/speedcore/noise scene in 1990s London. Its founder, Christoph Fringeli, also initiated Praxis records and the legendary Dead by Dawn nights at the 121 Centre in Brixton (for a while Praxis had a record stall in New Cross Road in what is now Prangsta). Today it is published in Berlin, but with contributors spread around the globe. As well record reviews and other music news, it features in depth articles and interviews on the related cultural politics, anti-fascism, and much more.

In a return to its South London origins, was a launch event for the new issue 13…

OwnCloud vs. BtSync

We have decided to use OwnCloud instead of continuing with Bittorrent Sync despite its breakthrough functionality, it’s rooted in preparatory IP rather than a commitment to open source software. It almost seemed to good to be true and other data exchange solutions with similar promise are available on better terms.

On the GitHub pages for the Debian package it states: “The source archive of this package contains nothing, since the original btsync binaries will be retrieved directly either from BitTorrent Inc. or alternatively from the maintainers site during package generation. The source archive of this package can be generated from scratch by executing make -f debian/rules get-orig-source. The original btsync binaries will be retrieved directly either from BitTorrent Inc. or alternatively from the maintainers site.  See the get-orig-source target in the rules file”

On the Bittorrent Sync forums (here & here) a discussion around this issue took place over the last months, and a staff member stated that they still consider the option. In the meantime the Free Software Foundation has announced a free source Bittorrent Sync clone as a priority. Check out the wiki on SyncReplacement. In the forum the good old debate of free as in free beer vs. free as in  freedom  came up, referring to the Free Software Definition and the FOSDEM 2013 conference.

In the forum one user states that there “is a gaping security hole in BitTorrent Sync, and it appears the company has ignored the most prominent security threat that faces most of its potential users. One of the many lessons from the NSA scandal is that the successful way to beat encryption is through social engineering. Instead of hacking computers by brute force, the NSA and other spy agencies apply legal and fiscal pressure to obtain what they need. The international spy game is fiercely competitive, and it would be naive to suspect that the NSA has no interest in having direct access to the computer files of every American, since undoubtedly every foreign spy agency will want this information as soon as it is technologically and financially feasible. If we are unfortunate enough to experience a terrorist attack by an individual who used BitTorrent Sync for security, chances are very good that in the aftermath BT will be heavily pressured by the government into having btsync phone home with the secrets. This is independent of whether BT has already decided they’d like to have access to those secrets. Security against this attack vector cannot be guaranteed unless users can see the source code. It’s also worth mentioning that the primary concern *isn’t* necessarily that BT Sync users will be targeted by the government for unnecessary privacy violations. Edward Snowden has admitted to taking a job at Booz Allen Hamilton with the express purposes of making goverment secrets public. Thus we have clear evidence that — even if the NSA is just and secure — private security firms can be infiltrated by individuals with motivations that run counter to the motivation of the NSA. It seems likely that there have been other infiltrations of these security firms by more nefarious organizations. So even if we are entirely trusting of our government’s noble principles, the fact remains that the ability of BT Sync to transmit secrets home is a potential security hole that affects all of its users. Finally, we’ve seen some judges attempt to force defendents to decrypt their harddrives so that these drives may be searched. As of now, this legal point hasn’t been settled, and individuals might still have the ability to take the 5th amendment and refuse to decrypt their hard drives. What *has* been settled is that neither the 4th nor 5th amendment applies to information held for you by a third party. Thus if BT Sync for any reason has copies of your secrets, and you are being investigated for a crime (wrongly or otherwise) you have effectively no security from BT Sync. We need to know that BT Sync does not currently transmit secrets anywhere, and will never do so in the future. The only way we can really know these things for sure is to look at the source code.”