AMRO20 Of Whirlpools and Tornadoes

From sea to city is being discussed at AMRO20.

The way we collectively discuss about migration, in general, and forced displacement by sea, or “boat migration”, in particular, has an impact on our responses to address the phenomenon. Narratives on “boat migration”, be it in the media or in public discourse, affect political processes across Europe, influencing our perception of “boat migrants”, ultimately having an effect on the ways they are received in (or repelled from) our societies. The challenge is to unpack and explain the causes and consequences of such narratives, examining their construction and assessing their effects on prevailing attitudes.Sea Watch and Alarm Phone have already been working in a state of permanent crisis for 5 years now, fighting the EU’S policies of letting die at the deadliest European border, the Mediterranean. It is an avoidable and deadly crisis. Now the biggest difference is that our environment is also in one. Staying at home, in those Covid-19 times, is a privilege that the people we pull out of the water do not have. We must not and will not forget the people who are fighting for their survival on the doorstep of Fortress Europe. Flight is not a choice.

AMRO Highlights:
Program
Playlists 1 & 2
Lightning Talks
Infrastructure, sustainability, technology, crisis: making visible the invisible
Whole Waste Catalog – after the first pilot
Computational Cultural Publishing: Climate Emergency Sprint
LivingLab
Trace Carbon
Decentralized organizational models
NotFoundOn
Post-Growth

End Meeting for All

Forced Entertainment nailed it with the ZOOM performance End Meeting for All. Kristy Stott, theatre editor writes: We’ve all become more familiar with Zoom during the lockdown…and whether you love or hate the video conferencing platform, End Meeting For All is probably the most entertaining Zoom call you will have during the pandemic. The grid of screens lends itself perfectly to this perceptive and comically unsettling performance. Brilliantly reflective of current times, the performers are plagued by technical difficulties and artistic misunderstandings.

Excavating comic chaos from complete isolation despair – Claire Marshall, Cathy Naden, Terry O’Connor, Robin Arthur, Richard Lowdon and Tim Etchells – are stuck in a world where the lockdown appears to have been going on for a very very very very long time. Cue bad wigs, skeletons, fake tears, frozen screens, smeared make-up, interruptions by dogs…and lots of gin.

Forced Entertainment have been at the forefront of new developments in theatre and performance for 35 years, and are renowned internationally for pushing the boundaries of contemporary theatre, this project sees the company turn their eye for collage, fragmented narrative and innovation towards video. Multi-layered improvisation, gradual repetitions and breakdowns all provide a reflection on the strange state of lockdown, and the wider anxieties that have surfaced during the pandemic.

Bringing absurd wit and brilliant humour, despite each performers’ infinite state of isolation, End Meeting For All is compelling viewing. If only all Zoom meetings were this entertaining…

MoneyLab#8

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Critical thinkers, artists, researchers, activists, and geeks in search of other economies and financial discourses for a fair society.

All along, these have been dark times for the economy, as offshore finance wreaks havoc in the very fabric of cities and communities, and crypto-companies navigate the world in search of their own tax havens. Information leaks from financial paradises have made it clear that the wealthy, influential, and well-connected will still escape taxation. These are the same people turning places like Malta and the Bahamas into luxury apartment zones. At the same time, well-documented Dutch fiscal loopholes cost the world approximately 22 billion euros in lost taxes each year. Corporations like Shell tempt governments with scraps of their ill-gained revenues in exchange for legal residence in anonymous letterboxes. Global business and crypto-speculation have debased national regulations to the competitive logics of an international tax marketplace, and local economies and communities struggle to hold up against privatisation and the mass transformation of jobs to a precarious freelance existence in the gig economy.

Weeks into the corona crisis, it is too early to say which aspects of the global financial system have been thrown into the dustbin of history. Pivotal nation-states are now exploring digital currencies as one tool for post-pandemic stimulus (or austerity). How do the earlier proposals for Universal Basic Income relate to the sudden appearance of helicopter money in some countries? Are the Keynesian money proposals to prop up the Western economies an indication of the end of the neoliberal hegemony? Is the ban on cash during the corona crisis an indication of the arrival of the cashless society?

It is a grim scenario, but perhaps not all is lost. The economy is not – and never was – merely in the hands of faceless corporations and cryptocurrency speculators. MoneyLab explores the imaginaries of artists, researchers, activists, and geeks in search of other possible economies and urgently interrogates a different financial discourse. It has always asked: can we use technology critically to support alternative values of cooperation and “commoning” in a world that is dominated by individualism and competition?

MoneyLab #8, the first-ever in a post-socialist country and the first-ever virtual edition, features examples far from the mainstream media spotlight. It zooms in on the effects of offshore finance and explores counter-experiments in the realms of housing, care work, and blockchain technology. In the fringes, something interesting is happening: blockchain is no longer just another tool for capitalist growth obsessions, and people are realising radical visions for fairly-waged care work, redistributed wealth, equitable social relations, and strong grassroots communities. In our world of vanishing cash, corner-cutting multinationals, and weakened social support structures, can community currencies or self-organised care networks strengthen neighbourhoods? What would fair and social housing look like if it was turned into the cornerstone of the economy? Who is building local systems that can stand up against the financialisation of housing in the global platform economy?

MoneyLab #8 sheds light on radical and alternative strategies for self-organisation and pushes on towards new and collective futures situated in resilient local communities.

Screen Walk with Roc Herms

Screen Walk with Roc Herms
Guided Tour of Virtual Worlds

Roc Herms will lead a tour of his favorite virtual worlds and share his practice of screenshot-based photo reportages. Viewers are given the opportunity to engage with the artist, learn about screenshotting techniques and discover alternative online spaces for social exchange and interaction.

Zoomed In

Zoomed In is a new virtual festival celebrating photography and architecture.

The festival will take part from 21st-24th April 2020, and is one of the official partners of the Dezeen Virtual Design Festival.

Zoomed In is organised by London-based architectural photographer Luke O’Donovan, kindly supported by an incredibly generous network of guest curators and event participants. Please direct any enquiries to Luke at contact@lukeodonovan.co.uk

For updates on the festival, please check our Instagram, Twitter, and Youtube. You can also subscribe to Luke’s email newsletter below for updates on Zoomed In and other architectural photography projects.

The Human Landscape in Architecture
Images and the Media
VIEW Pictures
Virtual Gallery Opening 1 – Above and Below
Virtual Gallery Opening 2 – Urban Identities
Virtual Gallery Opening 3 – Constructed Landscapes

ELIA Platform for Internationalisation (PIE)

As the majority of the universities and academies are closed, leaders and lecturers find themselves having to convert their courses to digital formats with immediate effect. During this one-hour conversation, we invite ELIA members to share their thoughts and experiences with their international colleagues. Guest speaker Dimitrios Vlachopoulos will explore the various implications of a speedy transition to teaching and learning online and look at practical ways arts educators can improve their practice for the future. We will also touch upon the social changes and societal challenges that COVID-19 has created for higher education in the arts, staff and students.

Dimitrios Vlachopoulos has a PhD in distance education and instructional technology. His research focuses on new and emerging pedagogies, instructional design, digital transformation, teachers’ training and quality assurance. He is a Senior Fellow of the Higher Education Academy (SFHEA) and Fellow of the Royal Society of Arts (FRSA) with over 80 publications in books and peer-reviewed journals. He is currently Program Manager with “EdTech for Social Change” at Amsterdam University of Applied Sciences.

During Virtual PIE, we encourage you to join us online and share your experiences and concerns regarding the impact of the coronavirus on your institution.Aparajita Dutta (Head of International Affairs at The Royal Academy of Art in The Hague and PIE Coordinator) outlines for us what are the main challenges that institutions are facing during this coronavirus crisis, particularly from the perspective of international offices.We will be looking at what is the impact that this situation has and will have on internationalisation.Maria Jaber (International Partnerships Head at NABA, Nuova Accademia di Belle Arti, Italy) presents the approach and the solutions that her institution has implemented to face the current situation, specifically looking at international students inquiries and showcasing the NABA Open Day Online.

These and many other questions are raising up these days:
* How should we deal with the current crisis?
* How should we ensure the wellbeing of students and staff?
* How can we run exams online?
* How can the PIE community help each other in this situation?

Our sector and members are under intense pressure at this point in time. Teaching has moved online, students and freelancers have lost part-time jobs, events, projects, performances, exams have been postponed or cancelled.

*Recent developments in response to COVID-19* *EU Emergency Measures* The EU is adopting various new measures to ensure the immediate release of funds to help member states deal with the effects of the current pandemic. Although the measures are general, we recognise that it is vital the cultural sector remains a priority within that framework. *Joint Letter initiated by Culture Action Europe* Earlier this month ELIA Executive Director Maria Hansen signed on behalf of the ELIA network, a joint letter initiated by Culture Action Europe. Sent to Commissioner Gabriel and Members of the Directorate General for Education, Youth, Sport and Culture (DG EAC), the letter contains a list of proposed ways to deal with the consequences of COVID-19 on Creative Europe and the European Cultural and Creative Sectors. Proposed support measures include: – Extension of eligibility period of Creative Europe projects that had to cancel or postpone events and other activities due to the crisis. – Eligibility for compensation of costs already made for planned events and projects that had to be cancelled. – Allowing physical events to be replaced with other formats and activities more suited to the current situation. – “Provide the possibility to apply for additional funding to mitigate losses and support the rescheduling of events where appropriate”.

*Response from Commissioner Mariya Gabriel* CAE received a swift response from Commissioner Gabriel. In her letter she outlines the following core points: – She agrees that there is a need to ‘urgently implement measures to mitigate the impact of COVID-19 amongst Creative Europe beneficiaries and beyond’ – The Commission and Croatian presidency of the Council are organising a summit of European Ministers of Culture to discuss these issues and how to move forward together. – DG EAC and EACEA are exploring extra flexibility measures regarding ongoing Creative Europe projects. These are good signs however ELIA will continue to campaign alongside others to ensure these good intentions are turned into practical measures. *Letter and Open Petition initiated by Green CULT MEPs signed by ELIA* Supported also by Culture Action Europe this letter demands immediate and unbureaucratic initiatives such as the following: – Offer financial aid to the Cultural and Creative Sectors and the whole cultural ecosystem, including through the Corona Response Investment Initiative, proportionally to the size of the CCS in our economy. – Ensure access to unemployment and other social benefits for all cultural professionals, with particular attention to freelancers, self-employed and others in atypical forms of work, including creators coming from cultural minorities, and grant them compensation for the discontinuation of income. – Provide emergency aid to cultural professionals, especially the independent ones, as well as to small and medium-sized cultural companies, for example in the form of tax relief, loans, (micro-)credits, compensation for losses and non-recoverable costs.

WATCH: Screen Walk with Alan Butler

Live streamed Screen Walk recording
Live streamed performance recording

Alan Butler led a tour of the game environment of Grand Theft Auto V, focusing on topics of representation and simulation as well as the role of the in-game photographer. Viewers were able to follow the artist in his critical analysis of the game logics, and their social, political, and economic implications.

Virtual Design Festival

Virtual Design Festival

Dezeen announces Virtual Design Festival, the world’s first online design festival, taking place from Wednesday 15 April onwards.

With much of the world in lockdown due to the coronavirus pandemic, the global architecture and design community is, along with many other sectors, facing unprecedented challenges.

Virtual Design Festival (www.virtualdesignfestival.com) is a platform that will bring the architecture and design world together to celebrate the culture and commerce of our industry, and explore how it can adapt and respond to extraordinary circumstances.

We will host a rolling programme of online talks, lectures, movies, product launches and more. It will complement and support fairs and festivals around the world that have had to be postponed or cancelled and it will provide a platform for design businesses, so they can, in turn, support their supply chains.

We are inviting individuals, companies and organisations to get in touch to explore how we can help each other. We would like to team up with other architecture and design publications as well.

While we cannot pretend that these are normal times, we can at least explore alternative ways of sharing design, helping others, coming together as a global community and doing business.

How Virtual Design Festival will work

From 15 April onwards, we will host a rolling programme of online talks, lectures, movies, product launches and more. Some of these activities will replace those that we would have hosted at fairs and festivals around the world, but we also want to explore new and innovative formats, specially tailored for the digital sphere and for our locked-down world.

We are particularly interested in hearing from technology companies and developers who could help us develop innovative formats to help connect the global architecture and design community and help them work more effectively in the current situation.