From 27th to 30th October 2011 the third edition of the Free Culture Forum took place in Barcelona. Version 2.01 of the Charter for Innovation, Creativity and Access to Knowledge was released n line with the declaration of the UN Committe on Economic, Social and Cultural Rights: General Comment Nº17 (2005), the introduction of the charter states:
We are in the midst of a revolution in the way that knowledge and culture are created, accessed and transformed. Citizens, artists and consumers are no longer powerless and isolated in the face of the content production and distribution industries: now individuals across many different spheres collaborate, participate and decide in a direct and democratic way.
Digital technology has bridged the gap, allowing ideas and knowledge to flow. It has done away with many of the geographic and technological barriers to sharing. It has provided new educational tools and stimulated new possibilities for social, economic and political organisation. This revolution is comparable to the far-reaching changes brought about by the invention of the printing press.
In spite of these transformations, the entertainment industry, most communications service providers, governments and international bodies still base the sources of their profits and power on controlling content, tools and distribution channels, and on managing scarcity. This leads to restrictions on citizens’ rights to education, access to information, culture, science and technology, freedom of expression, the inviolability of communications and privacy, and the freedom to share. In deciding copyright policy, the general interest shall take priority over the specific private interests.
Today’s institutions, industries, structures and conventions will not survive into the future unless they adapt to the changes that result from digital era. Some, however, will alter and refine their methods in response to the new realities. And we need to take account of this.
Political and Economic Implications of Free Culture
Free culture (“free” as in “freedom”, not as “for free”) opens up the possibility of new models for citizen engagement in the provision of public goods and services, based on a ‘commons’ approach. ‘Governance of the commons’ refers to negotiated rules and boundaries for managing the collective production and stewardship of, and access to, shared resources. Governance of the commons honours participation, inclusion, transparency, equal access, and long-term sustainability. We recognise the commons as a distinctive and desirable form of governance that is not necessarily linked to the state or other conventional political institutions, and demonstrates that civil society today is a potent force.
We recognize that this social economy is an important source of value, alongside the private market. The new commons, revitalised through digital technology (among other factors), enlarges the sphere of what constitutes “the economy”. Governments currently give considerable support to the private market economy; we urge them to extend to the commons the same comprehensive support that they give to the private market. A level playing field is all that the commons needs in order to prosper.
The current financial crisis has highlighted the severe limits of some of the existing models. On the other hand, the philosophy of Free Culture, a legacy of the Free/Libre Software movement, is empirical proof that a new kind of ethics and a new way of doing business are possible. It has already created a new, workable form of production based on crafts or trades, in which the author-producer does not lose control of the production process and can be free of the need for production and distribution intermediaries. This form of production is based on collaborative entrepreneurial initiatives, on exchange according to each person’s abilities and opportunities, on the democratisation of knowledge, education and the means of production and on a fair distribution of earnings according to the work carried out.
We declare our concern for the well-being of artists, researchers, authors and other creative producers. Projects and initiatives based on free culture principles use a variety of approaches to achieve sustainability. Some of these forms are well established, others are still experimental. The combination of these different options is increasingly viable for both independent creators and industry. There must be clear rules that promote public, sharable knowledge, protecting it from any form of exclusive appropriation by individuals or companies and thus preventing the possibility of restrictive monopolies or oligopolies emerging from this appropriation.
The digital era holds the historic promise of strengthening justice and being rewarding for everybody.
The charter can be found here.