Presentation / Discussion
At Foyer Hub 3
Would a collective “Glossary of Subsumption” be a meaningful way for registering enclosures and subsumptions in our hypermodern present? The originally marxist term of (real) subsumption is currently circulating anew as it allows for descriptions of capitalist power and ‚enclosure’ beyond simplistic ideas of coercion, corruption or exploitation. Its idea of capitalism capturing all that is outside existing capitalist valorization and of internalising it by different and historically specific means seems immensely helpful at a time where new post-digital and post-democratic grids of power enclose us anew – and sometimes in new ways. As a term also open to non-marxist semantics – see the notion of ‘subsumption architecture’ describing frameworks for distributed post-cybernetic control – it can prove to be especially helpful when collating different types, formats and layers of power, including current digital re-articulations thereof.
The project will kick off with a presentation under the heading Glossary of Subsumption: Enclosed Athens Disclosed. It will be given by a group of researchers, artists and architects that by now have formed an open-ended working-group. This first assembled in Athens last November during a workshop initiated by Oliver Lerone Schultz as part of New Babylon Revisited, a project by Goethe-Institut Athen. The aim was to trace old and new subsumptions of urban space. The initial concept, their goals and follow-up projects will unfold while outlining the fate of an avatar named Andrea/s, a semi-fictitious figure whose lifetime is related to fundamental elements of our general metropolitan ‚story‘ of subsumption such as energy, time, sleep, sounds, landscapes, the extended mind, or the ‚public/private bi-polar‘.
These elements will also inform the second event, the Glossary of Subsumption: Collective Edition workshop. Taking into consideration the findings of the first workshop, a new workgroup will cluster those with other existing ideas and keywords and aim to set up some fleeting ‘methodological devices’ set that will capture conceptual noise and enlist circulating issues and terms throughout the festival. Using analog and digital tools, the goal would ultimately be to collectively build a Glossary of Subsumption and reflect on the possibilities, stakes and potential (social) formats of such an endeavour related to social theory building and the ‘knowledge commons’ to mediate different experiences and concepts of enclosure.
The audience is invited to join the workgroup discussions and participate in the overall process.
Athens Enclosure workgroup: Ismini Epitropou, Maria Trogada, Maria Tzioka, Konstantinos Venis, Anthia Verykiou, Jeff Andreoni, Maria Byck
The ‘Glossary of Subsumption’ was first born in the Post-Media Lab in 2012 and was further developed -as a “Collective Edition”- in the context of the Common Media Lab (Center of Digital Cultures, University of Leuphana).
– Further information for both events, additional activities and the overall trajectory of The Glossary of Subsumption – Collective Edition will be listed at: http://subsumption.xyz
Workgroup Discussion
At the Foyer Hub 2
These elements will also inform the second event, the Glossary of Subsumption: Collective Edition workshop. Taking into consideration the findings of the first workshop, a new workgroup will cluster those with other existing ideas and keywords. There will also be some fleeting ‘methodological devices’ (like the Hybrid Letterbox) that will capture conceptual noise and enlist circulating issues and terms throughout the festival.
The goal would ultimately be to collectively build a Glossary of Subsumption and reflect on the possibilities, stakes and potential (social) formats of such an endeavour. This is also to ask: what is a social way of constructing theory and the ‘knowledge commons’ – one that mediates different experiences and concepts of enclosure.
The audience is invited to join the workgroup discussions and participate in the overall process.
see also: http://unmonastery.org/transmediale/
Oliver Lerone Schultz studies in philosophy, history of science, and ethnology, followed by research in media theory, embodiment and theory of performativity (FU Berlin 1999-2003). Oliver co-initiated several independent media projects like the globale-Filmfestival, laborB* (both 2003-2010) and Visions of Labor (2007/08). Bridging different fields of reflection and theory, he was active as curator (e.g. Zerklüftete Zukunft/Fractal Future, 2007; labor mov[i]e, 2003-2010). He was also active in the conception of trans-academic events: Utopische Körper/Utopian Bodies (2003); Travestien der Kybernetik/Travesties of Cybernetics (2005); Mapping Anthropotechnical Space (2007) – some collected under the label eXpolar.de (2005-2007). This was followed by research on Imagecultures at Berlin-Brandenburg Academy of Sciences (2010-2011). Oliver joined the Center for Digital Cultures in its early formational phases (2011), becoming co-curator of Post-Media Lab. As such he is deeply immersed into network-building in the contexts of new media culture, as conceptioner/curator of a whole range of post-media related events, workshop and exhibitions, among this Video Vortex #9 : ReAssemblies of Video. He is co-editor and -author of the PML-Books series, that just recently published Plants, Androids and Operators – A Post-Media Handbook (http://www.postmedialab.org/provocative-alloys-post-media-anthology). Currently Oliver is Principal Investigator at the Common Media Lab and works with Art + Civic MEdia at the CDC – scrutinizing questions and contexts of collective vision and social change in globalized societies and media-spheres.