Panels, Sessions, Film Screening – a preview of the program

Quoted from CDC blog at trans­me­dia­le fes­ti­val: Panels, Sessions, Film Screening – a preview of the program

Everything is visible, everyone is tracked. How will life, work and play change in world rules by algorithms? This year transmediale wrestles with the question under RTEmagicC_01.2015_transmediale_1the motto “Capture all” from 28 January to 1 February. You can read about the contributions CDC researchers will be making here.

How much space re­mains in a pro­gram­med world for things that can­not be writ­ten in a code? Do we have to learn to play with al­go­rithms? Prof. Dr. Ma­thi­as Fuchs, Head of the Ga­mi­fi­ca­ti­on Lab in the In­cu­ba­tor re­se­arch pro­ject Art and Ci­vic Me­dia, dis­cus­ses the­se and other ques­ti­ons with re­se­ar­chers Ned Ros­si­ter and Kris­ti­an Lu­kic on 29 Ja­nu­a­ry at 3:30 p.m. In the panel discussion “Calculated Play? Games as a metaphor, medium and method”, game play­ers go up against the al­go­rithm whi­le pa­ne­lists spe­cu­la­te about how it will end. Cri­ti­cal thoughts about ga­mi­fi­ca­ti­on and the quan­ti­fied-self mo­ve­ment are ex­pres­sed by a pa­nel that in­clu­des Ga­mi­fi­ca­ti­on Lab em­ployee Pao­lo Ruf­fi­no. The panel discussion “All Play and no Work: The Quantified Us“ at 3 p.m. on 30 Ja­nu­a­ry will also take up the wins and los­ses in an in­cre­a­sin­gly ga­mi­fied world.

At 11 a.m. on 29 Ja­nu­a­ry, the re­se­ar­cher Oli­ver Le­ro­ne Schultz (CDC/​Com­mon Me­dia Lab) pres­ents the pro­ject “Glossa­ry of Sub­sump­ti­on – Collec­tive Edi­ti­on”. A preli­mi­na­ry pre­sen­ta­ti­on en­t­it­led “Enclosed Athens Disclosed” will fea­ture re­sults of pro­ject work in­vol­ving a “cri­ti­cal city tour” of Athens in No­vem­ber. The “Athens En­clo­sures” team will re­port on the mul­ti-en­clo­sed life of the fic­ti­tious la­bo­ra­to­ry ava­tar An­drea. Then work con­ti­nues at 11 a.m. on 1 Fe­bru­ary in a work­shop on the long-term pro­ject “Glossary of Subsumption” with the goals of do­cu­men­ting the new era of “in­te­gra­ti­ve power” and “va­lue extrac­tion” in the post-me­di­al age and crea­ting collec­tive ways of theo­ri­zing.

The Creative Commons documentary “Preempting Dissent”, ba­sed on the book of the same name by Greg El­mer and Andy Opel, will be shown at 8 p.m. on Fri­day. The film ques­ti­ons the spre­ad of the so-cal­led “Mia­mi mo­del” for mo­ni­to­ring pu­blic pro­tests. The fol­low-up dis­cus­sion will be di­rec­ted by Oli­ver Le­ro­ne-Schultz. With his col­le­ague Dr. Cle­mens Apprich, Oli­ver Le­ro­ne Schultz is also working on the on­go­ing trans­me­di­al pro­ject “The Post-Di­gi­tal Re­view”, which brings to­ge­ther ex­perts in di­gi­tal art and cul­tu­re, po­li­tics and re­se­arch and cu­ra­tors. The session “The Post-Digital Review: Cultural Commons” at 4:30 p.m. on 1 Fe­bru­ary will take up the ques­ti­on of what cont­ri­bu­ti­ons art and cul­tu­re can make to new stan­dards in the post-di­gi­tal ci­vil so­cie­ty. Dr. Nis­hant Shah, mem­ber of the In­sti­tu­te of Cul­tu­re and Aes­t­he­tics of Di­gi­tal Me­dia (ICAM), will launch the dis­cus­sion with his pre­sen­ta­ti­on.