Percussion and distortion modules

000‘ is about aberrant analogue distortion and percussion devices for both stand-alone and Eurorack format. The Spanish/German øpen-hardware team will present at the London Music Hackspace for the fist time their new set of analogue percussive tools, followed by a DIY workshop where participants can build their complete stand-alone – or Eurorack-compatible modular drum system.

An introduction to analogue percurssive synthesis, concept and module design of an aberrant modular drum machine. The talk will also cover the ethos and philosophy of the open hardware team. Come ask questions and test the modules!

The talk will serve as a prelude to the workshops which will take place on the weekend of the 4th and 5th of December. You can choose the modules for the workshop in this link.

Datacide

Datacide launches two books at the Anarchist Book Fair.

A major project in the works for quite some time, this is a complete reprint of the issues 1-10 of datacide, which originally appeared from 1997-2008. Titled “EVERYTHING ELSE IS EVEN MORE RIDICULOUS”, the 364 page volume collects unique material, most of which has been out of print for many years, charting a one-of-a-kind history of the counter-cultures associated with electronic music and free festivals.
“The free space of the party met the free space of the page and then you got a dynamism that encouraged expression and perversions and tangents because the covers held it together as a nomadic movement and you were convinced that music had catalysed it all and that music was somehow inherently political as it sidestepped rhetoric and dogma, and absented us from control addicts and the free space of the page was a kind of historic party, a kind of invisible college, a launching pad for driftage.” Flint Michigan

Contesting the “Dark Web”. CipherSongs: Trustless an installation for encrypted data streams

Rob Canning composed CipherSongs which one currently can tune into on http://cipher.kiben.net/

The abstract of his paper for BFX describes CipherSongs as:

CipherSongs: Trustless is the first in a proposed series of performance and installation works reflecting on issues surrounding encrypted network communication technologies. It is a data driven, audio visual installation which responds to real-time data from the Bitmessage service. Bitmessage is a decentralised, peer-to-peer, trustless communications protocol (Warren, 2012), the service became particularly popular after the 2013 Snowden revelations exposing the widespread collection and analysis of communications metadata. These works respond to the threat to our “right to a private life” (Article 8 of the Human Rights Act 1998) posed by the recently elected Conservative government’s plans to amend the Data Retention and Investigatory Powers Act (DRIPA) (Home Office, 2014). The proposed amendment to DRIPA, commonly referred to as “The Snoopers’ Charter”, seeks to abolish the use of encrypted communications in the UK16 . In this context, CipherSongs functions as the ‘canary in the coal mine’, an early warning system where the disappearance of song indicates a dangerous problem within the system.

The installation operates as an agent within the system it references, it is actively engaged with the data and political context that are its subjects. As nodes within both the Tor network and the Bitmessanger system it provides extra robustness and diversity to their decentralised infrastructures. It critiques the dominant assertions of the mainstream or “strategic media” which aligns users of strong cryptography with the “Four Horsemen of the Infocalypse”: drug dealers, paedophiles, money launderers and terrorists (May, 1994).

 

 

Contact workshop during Hybrid City III conference

SPC took part in the CONTACT workshop during the Hybrid City III conference, meeting collaborators of the MAZI project.

diversity

An indoors/outdoors workshop which explores citizen engagement in the smart city toward more conviviality and human interactions, shifting the perspective from sensors to senses, from Internet-based locative media to offline DIY networks, from algorithmic matching to genuine serendipity, from powerful mediators to local actors.

CONTACT wishes to explore the advantages of offline networks and smart city concepts for the design of technology that can serve face-to-face meetings and local communities. We will first provide a short introduction to certain important concepts that help us guide the workshop participants through a collaborative process of hybrid space design: Do-It-Yourself networking, urban interaction design, field research methodologies, and the role of the stranger. Then we will go out to the streets of Athens to explore the surroundings of the conference’s venue, to analyze the spatial and social aspects of different places, and to identify locations that are candidates for hybrid urban interventions toward our objectives of conviviality and human interactions. After our collective walk, we will gather in a public space to think together about possible applications and possible processes to design them, including software, hardware, surrounding artifacts and performance. We will focus on ways to take advantage of the special characteristics of DIY networking — ownership, de facto physical proximity, anonymity, and inclusive access — to facilitate contact between strangers, in t,his specific part of the city. The next day, building on the number and competencies of the participants, we will develop a few prototypes of selected applications and organize an urban intervention in some of the selected locations.

MoneyLab#2: Economies of Dissent

The Institute of Network Cultures presents MONEYLAB#2: ECONOMIES OF DISSENT on Thursday 3 & Friday 4 December 2015 at Pakhuis de Zwijger in Amsterdam– an international symposium hosting artists, activists, programmers and academics that probe, challenge and hack today’s global economy.

What political imperatives shape the economy of dissent? What different views on the redistribution of wealth and the exchange of value are out there? How can we re-design our financial infrastructures?

The important first steps are being taken beyond moral outrage and towards systemic interventions in the global austerity economy. We witness an impressive amount of financial counter-concepts, works of art, digital currencies, tools and hacks giving shape to an emerging economy of dissent. This economy operates across borders, on different scales, from sole acts of defiance to a sovereign ‘oxi’, and is expressed variously as: strategy, circumvention, innovation, visualization, and making-do.

H3333333333K

On the occasion of the new construction for the HeK and Atelier Mondial at Freilager-Platz at the Dreispitzareal, the culture department of the Christoph Merian Foundation, in cooperation with the department kulturelles.bl of the Department for Education, Culture and Sports and the Swisslos-Fonds Basel-Landschaft, carried out a single-stage international “Art at the Building” competition by invitation.

The jury, chaired by Nathalie Unternährer, head of the culture department of the Christoph Merian Foundation, selected from among the six complete and qualitatively outstanding submissions the project proposal “H3333333333K” of !Mediengruppe Bitnik.

Action timed, envisioned..

James Stevens shared the great news of MAZI getting the Horizon2020 grant, on the SPC blog:

Despite the numerous claims raised by UK councils and GLA to establish public wireless service for all, few examples have made it out of the boardroom and even then, fall to commercial pressure or operational chaos before long.

mazi_logoWe are hopeful that the very recently awarded fund for MAZI project starting early in 2016, will re-energize interest and activity along Deptfords Creekside, with a program supporting development of local innovation over the next 3 years that will galvanize existing networks and promote fresh collaborations.

DagePano2015

This image is taken from the roof above the DAGE shop on Deptford High Street, one of the dozen surviving OWN nodes which continues to offer public access and mesh with the other points in the area. It retains a unique status in London, an operational model of ‘collectively owned and operated broadband infrastructure’, but by just a thread!

lateralaniBuilding and co-coordinating public access networks is very tricky and time consuming operation but increasingly affordable and relevant. As we wake up to the realities of state surveillance and data mining of our interactions, we may well find the recent interest in off-line networking adds a layer of obscurity that’s preferable.

Mazi Mondays

Panos-small“What I had in mind is that the research would focus on an area covered by a local network either permanently or at least during the duration of the project. This network would host locally crafted educational material and floss applications that would showcase emerging tools and technologies. This could be as simple as a single web hosting device offering short-range access or a community mesh network with broader objectives. “

This preferred area of focus may well coincide with existing mesh node installations.. it’s along the creek so there are indigenous social housing, boating, artistisan, hoodlum, drinking and eating communities as well as inevitable high rise developments and mixed emotions!

SPC has capacity in it’s network to offer uplinks to Mazi for the duration..  Mesh solutions are great for mobile network nodes and for resilience in an unstable environment. Primed with a set of great locations and willing collaborators aplenty, a point to point radial model will ensure greater stability and higher speeds for community needs. We already have a few low power servers and resources available and have set up a mazi subdomain of spc.org

SE9 mateThere is a swell of social, cultural and creative interest along Creekside in Deptford where we have enjoyed success in the past. We hope to rekindle interest and activity in support of the Mazi workshop program and the adoption of a locally delivered alternative to commercial web dependencies.  Meanwhile the whole area is being “developed” so there are rising blocks on every quarter isolating areas of Deptford which will present a challenge when fixing links and bridging ideas.

The river Ravensbourne snakes from Bromley through Lewisham and opens out after Elverson Road DLR into naturalised riverside alongside Brookmill Park. It retreats into a concrete slot under the A2 at Deptford Bridge DLR and emerges as Deptford Creek up behind LeSoCo (Lewisham College) canyoned by new flats and hotels on the Greenwich side, developments that are set to run the length of Norman Road.

Babar-Birdnest0914

Just as the Creek broadens a little and gets really muddy there is a branch mooring a dozen barges and smaller boats. On land there are a similar array of trailers and vans where people live and work. At the top of Creekside on the corner of Deptford Church Street is the Birdsnest live music pub and local flux point. The yard that wraps around it features Big red Pizza Bus and an array of related performance and construction trades. Other adjacent properties are in progress of reactivation in the sweep of enthusiasm for SE8. APT (artists in perpetuity trust) purchased the old factory building in 1995 and their community of traditional crafts practitioners are at the core of Deptford artist reputation.

Creekside Education Centre  has the only direct access to the creek. Boundless broadband coop was first implanted here in 2004, and is still operating an OWN node today. Over the road is the Crossfields council housing estate, repopulated  by young families,  artists and musicians in 1970’s and regularly commented on. Thereafter it’s a pick n mix run of light industrial yards, Scaffolders, Machinists, Work Units, Art Studios, Cockpit Arts, Laben Dance and bonanza of real estate prospectors with plans to block out the light.

cropped-minesweeper2001A 2nd world war Minesweeper is moored alongside one of few remaining light industrial estates off Norman Road. It has a mixed crew of arty anarchos who screen print t-shirts and lead on refurbishment of the aged hull, host great parties and a flotilla of smaller boats. Madcap Coalition have just moved to one of the remaining warehouses adjacent to the cement works by the Creek Road lifting bridge. Finally at the mouth a new pedestrian swing bridge links between swanky new condo’s before the creek tips into the Thames.

More, much more info about the area and it’s many great features, ideas and activities are reported in a clutch of local blogs, projects and innovations to numerous to detail here.

Here is the MAZI project outline;
Do-It-Yourself networking refers to a conceptual approach to the use of low-cost hardware and wireless technologies in deploying local communication networks that can operate independently from the public Internet, owned and controlled by local actors.
MAZI means “together” in Greek and the MAZI project invests in this paradigm of technology-supported networking, as a means to bring closer together those living in physical proximity. Through an experienced interdisciplinary consortium, MAZI delivers a DIY networking toolkit that offers tools and guidelines for the easy deployment and customization of local networks and services.
The MAZI toolkit is designed to take advantage of particular characteristics of DIY networking: the de facto physical proximity between those connected; the increased privacy and autonomy; and the inclusive access. Such characteristics are used to promote information exchanges that can develop the location-based collective awareness, as a basis for fostering social cohesion, conviviality, knowledge sharing, and sustainable living.
To achieve this objective, MAZI brings together partners from different disciplines: computer networks, urban planning and interdisciplinary studies, human-computer interaction, community informatics, and design research. These academic partners will collaborate closely with four community partners to ensure that the MAZI toolkit benefits from the grounded experience of citizen engagement.
MAZI draws from the diverse mix of competencies of its consortium to develop a transdisciplinary research framework, which will guide a series of long-term pilot studies in a range of environments, and enhanced by various cross-fertilization events.
The main goal of this process, and its measure of success, is establishing DIY networking as a mainstream technology for enabling the development of collective awareness between those in physical proximity, and the development of surrounding research and theorizing of this approach.
Participants; University of Thessaly, NetHood, Edinburgh Napier University, Berlin University of the Arts, Open University, INURA Zurich Institute, SPC, Prinzessinnengarten, and unMonastery.

Bots: Tracking Systems of Control

At Disruption Network Lab / Bots: Tracking Systems of Control !Mediengruppe Bitnik talks about Tracking Systems of Control


Disruption Network Lab is an ongoing platform of events and research focused on art, hacktivism and disruption. The Laboratory takes shape through a series of conference events at Studio 1, Kunstquartier Bethanien in Berlin. The goal is to present and generate new possible routes of social and political action within the framework of hacktivism, digital culture and information technology, focusing on the disruptive potential of artistic practices. The Disruption Network Lab is a conceptual and practical zone where artists, hackers, networkers, activists, whistle-blowers and critical thinkers enter into a dialogue.